This week, I got two groups of students from Tembusu College here at the National University of Singapore, to voluntarily participate in my Apocalypse Workshop. The goal was for them to imagine a climate change apocalypse.

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The first activity was called My Apocalypse. These were my instructions:

Name and describe your favorite place in 50 years as climate change affects it. (Write about it and draw it.) This could be a city landmark, the family farm, your apartment building, your favorite cafe, or any other place you feel like speculating on. Please be as specific as possible. Scenarios can be positive or negative. (Some questions to ponder, but please don’t limit yourself to these: What does it smell like? What plants and/or animals are present, if any? How hot or cold will it be when you are sitting there? How will you get there? Can you see clearly? Will your pet be happy living there? What is the color you see when you look up? Are there walls, and what are they made of?)

I asked them to name the actual place (and not just write, “the world” or “the city”) because I wanted them to be as specific and detailed as possible. The participants were also more likely to choose different places and thus provide a wider range of descriptions.

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The second activity was called Superpowers for the End of the World. These were the details:

If you had a superpower to navigate through what you described in Activity 1, what would it be?
Examples of superpowers can be the ability to: smell an incoming tsunami, be invisible to animals, turn into ice during a heatwave, or anything that your current senses and abilities can’t let you do right now. It can be an extension of your biological abilities, or a device that performs it. You can list more than one superpower.

I wanted to frame it in this way so that people will find it more fun and exciting and really think outside the box when it comes to climate change. Nothing like superpowers to get the creative juices flowing!

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The last activity was called The Apocalypse Lookbook, where I gave them fashion design templates:

What will you wear to the apocalypse? Use the templates provided. Define the function of each wearable.

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I let them do each activity for twenty minutes, and afterwards, they shared what they made to the  group. These university students all had taken a class on climate change, or were in the middle of one.  They came from business, economics, engineering, and communication majors. I also had one participant who is a professional environmental engineer.

Here are some photos from the sessions:

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I’ve given lots of workshops in the past few years—this definitely yielded among the most imaginative results. I’ll be sharing those soon. Thanks to all the participants, and also to those from all over the world who sent their answers online!

The first few weeks in Singapore, apart from battling a tropical superflu, one other war I was waging was contextualizing climate change in a way that was, well, less boring for people.

Put it this way, during the beginning of this residency, I was reading up on UN documents on the environment and we all know how enjoyable that is. I was beginning to be afraid that this project will be the most boring one I’ve ever done. When finally, it hit me.

Climate change has a branding problem. Not that I didn’t think so before, but it’s different when you are doing a project that is supposed to get people to want to act on climate change. My initial responses for my project were, well, meh. I felt like people were humoring me because I was a guest in their lab / college / country. I don’t blame them. People think climate change is too dry and inaccessible. Or more precisely, I believe it is seen as something separate from other concerns, when I think environmental “mindfulness” should be integrated in our lifestyles.

When I see climate change campaigns in schools and organizations, it’s mostly about recycling. Don’t get me wrong—recycling is important and we all should do it. I just don’t think that it is the cure-all for all our environmental woes. Climate change-related events are getting bigger and more serious—it’s critical to think beyond our current solutions.

Another field having a branding problem with respect to climate change is art. I think for the most part, people see it as frivolous. “Oh that’s nice,” but thinking “but let the important people do the important work” type of attitude. Again, I don’t blame them. The ivory towers and walls that distance disciplines from each other have served to alienate. (I also think that this is a one of the causes of professional burn-out, but that’s another post for another day.)

I need to get people in a state of “play” so that they will think outside the box. Hence the formation of this Apocalypse Project. It’s tricky to turn something as serious as climate change as something “fun,” but I believe that making it so will get people to start thinking beyond the box.  Dystopias and apocalypses pave the way for that. We already have these ingrained in literature and pop culture. But beyond that, ideas that seemed crazy in the beginning sometimes become the best solutions. Science fiction becomes speculative fiction and eventually reality, doesn’t it? As an example, just check out this TED talk by Steve Ramirez and Xu Liu on manipulated memories. 

Stay tuned for the next post on The Apocalypse Workshop, when the very creative minds of students here at NUS’ Tembusu college take a stab at thinking about a climate change apocalypse.

Here at my art residency in Singapore, I’m busy this week giving workshops to students at Tembusu College, National University of Singapore. Before the workshop, I gave a short intro talk on The Importance of Talking to Strangers.

Having done participatory art for years now, I discovered that it’s imperative to engage people in these kinds of activities (workshops, experiments, etc) in the development of a project. The things that come out of these things are always insightful.

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For this week, I didn’t want to give another artist talk, as I wasn’t going to be the artist for the night. Instead, I talked about the things I learned while talking to strangers. Because these students are, after all, strangers to me. I gave two example projects and the lessons I learned from them.

The first project is Rorsketch. This project became more enlightening for me because strangers saw things I did not see. (Visit the project site here.)

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(Yes, the never-ending drawing-what-you-see-in-clouds project.)

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From this, which was initially something I did for myself, expanding it to include other people. Asking four people what they saw in this image will yield four different interpretations. I ended up embracing the inclusivity of the project—nothing was right or wrong.

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For the second project, I learned that strangers can extend my project beyond what I set out to do.

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I tried, but this project just won’t die. Viva drawing your happiness! Check out DrawHappy’s site here.

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Beyond the sketches people have sent me, what became additionally interesting were the comments left on the site, most of which are submitted months or years after I uploaded the drawings—a good case for putting everything online. I was already emotionally finished with the project, or was I? These comments made me think otherwise.

Here is one that made me think DrawHappy should be turned to DateHappy:TembusuWorkshop.030

And here is another that made me think of Craigslist Missed Connections (names are protected because by now, I’ve learned that the world is so small):

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As the one who actually administers the site and monitors and publishes the comments, I can’t tell you how I had to pick up my jaw from the floor when I get notified by email. I can’t wait what this apocalypse project gives me. Stay tuned.

Late this week, I had a chance to attend the mid-term exhibition of the Singapore-ETH Future Cities Laboratory, which is hosting me for the duration of my residency program here in Singapore. It was wonderful to see all the work from different modules—Low Exergy, Architecture and Construction, Digital Fabrication, Transforming and Mining Urban Stocks, Housing, Architecture and Urban Design, Urban Design Strategies and Resources, Urban Sociology, Territorial Organisation, Landscape Ecology, Architecture and Territory, Mobility and Transportation Planning, and Simulation Platform.

Below are some photos I took from the event.

One of the many exhibition tables:

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Singapore Tropicana:

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Researcher Marcel Bruelisauer of the Low Exergy module after explaining his design solution for cooling systems:

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Professor Kees Christiaanse, Programme Leader and Module Leader, speaks at the book launch. Lots of books were introduced that day, including one of the coolest things I’ve heard of, Flight Assembled Architecture by Professor Fabio Gramazio, Professor Matthias Kohler, and Raffaello D’Andrea (see the monitor on the right).

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Some very cool things made by robots:

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Doctoral researcher Norman Hack in front of his module’s exhibition. Behind him are beautiful 3D pieces.

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An unmanned aerial vehicle (UAV) used for dengue research:

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A panel discussion on Simulation, Modeling, and Measuring, moderated by Dr. Matthias Berger (standing, on the right):

20130906_140434I wish more people (non-architects / designers / computer scientists / urban planners) could visit it. It’s one of the coolest labs in the world! Check out the laboratory website here.

While researching for my residency project on climate change, I came across a dialogue between Emma Maris, environmental writer and reporter,  and Erle Ellis, Professor of Geography and Environmental Systems, in which they discuss a very thought-provoking question, “Is the Anthropocene…Beautiful?”

Because of the apocalyptic nature of my project, when I think of the Anthropocene, it’s hard not to be a curmudgeon. It’s hard not to dislike our species. But on the other hand, there is no question that our species can make beautiful things, although I suppose the notion of beauty is subjective.

I think back on Seoul43, which is the project that made me want to do this, my first intentionally environmental project. I remember the ones with physical evidence of Korea’s history—the eunuch cemetery, the fortress, the centuries-old temple. But these are human interventions that are seen through rose-colored glasses because of their age. As one who hiked past them all, I found it interesting to trek through these unwitting museums of a country’s past. If they were to be built today, perhaps they will be met with resistance. But because they are relics from the past, they are instead seen as something to be preserved. From personal experience, I found the centuries-old fortress on one mountain to be charming, but the modern apartment building on another to be jarring—the former contributed to my experience while the latter hindered it. I wonder if, centuries from now, if someone from the future encounters this present-day apartment and sees it as a relic of architecture?

Watch the video below:

Seoul43 has given me a lot of moments to reflect on the impact of humanity on nature. This, of course, was not my initial intention. I wanted to climb all these mountains as a personal challenge. A city with mountains—how wonderful! I still believe it is one of the reasons that I found Seoul to be a clean city, compared to the other capitals I have been to. Before Korea, I had hiked only one mountain in the Philippines. It was a disastrous and traumatic experience—I nearly fell off of the peak, slipped many times on our descent, and slowed everyone down. I was, in chemistry terms, our group’s limiting reagent.

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My second intention was to get people to share my experience. This is why I brought the soil from these mountains so that people can plant with them and then bring them back. “Borrowing” instead of “taking” the soil was an important part. It has always been my view that no one is exempt from environmental responsibility, artists/scientists/explorers/designers included. The tasks I asked people to do were also deliberately chosen. I wanted to ensure that this project had some positive environmental and cultural impact.

What I didn’t expect, aside from the extreme fatigue, were my unique experiences for each mountain. Many pushed me to my limits, some nearly killed me, others were places I found so fascinating that I want to revisit them. A number disappointed me for their smallness (This is it? Really?) while others made me ask a lot of questions.

As these are mountains in a bustling capital, one thing I found consistent about them was human activity. If Seoul’s mountains were a system that ensured the coexistence of nature and humanity, then it was determined by these parts:

First, there were the modern city officials, or whoever governing bodies that mandated which trails should be open to the public and what was allowed to be done. They were the ones who permitted the landscaping and gardening of these mountains, who added trails, tennis courts, exercise machines, trail signs, and other things that make them “usable” to the public.

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Second, there were the citizens and tourists, both young and old, who use these mountains everyday. Hiking is an everyday activity for many Seoulites. Although I always hiked alone (which was a stupid idea, but I couldn’t find anyone who wanted to come with me), I was never really alone—there were always groups of ajusshi, ajumma, or young people who were also on the trails and giving me a hand. For the smaller mountains that served as neighborhood parks, it was the residents’ way of getting away from urban noise. Indeed, I could not help but think of these mountains as refuge in a city whose aging population is affected greatly by Korea’s rapid change.

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Finally, and no less importantly, are the people from Seoul’s past—the historical figures who added fortresses, cemeteries, and many a Buddhist temple to these mountains, turning them into rich canvasses that illustrate a city’s past and provide interesting questions as to how they fit into contemporary culture.

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The historical and cultural value that these manmade structures add undoubtedly “elevates” the status of a  mountain to something more than just a park. The exercise machines and other sports amenities added in recent years add utilitarian value for the citizens who make physical fitness a priority. These make me pause to think, because as a naturalist, one would balk at mankind altering nature, and yet, adding something of historical and utilitarian value perhaps encourages the city to preserve it better.

Because Korea is a very mountainous country and one that rapidly urbanized, I observed that: 1) Many mountains that used to be bigger have been “broken” into smaller ones because of apartment buildings, schools, etc. that found their homes in the lower areas, and 2) Some mountains seem to have all but disappeared because the buildings were right on top of them. Is it alright to do this to make room for city dwellers and businesses, as the country has so many? Indeed, as the official list I obtained from Korea’s Forest Service dates back to 2006-2007, I think that 43 will not be the number once they review the list once more. It will be interesting to see how the face of a city changes and how modernization affects these natural structures that are as old as time.

Originally posted on the Seoul43 site.

As I recover from the flu, allow me a bit of hallucinatory storytelling from the highly entertaining 2013 Singapore Kite Festival last week.

Once upon a time, there was a yellow smiley faced kite named Jack.
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He liked to fly.

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So off he went. Doot doot!

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He flew to the city, where there were very tall buildings. Woo!

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He met a lot of friends of different sizes…

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…shapes, and colors.

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One day, Jack was recruited by the Penguin…

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…who worked for Kung Fu Panda…

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They wanted him to join their kite army to go against a great villain, who wanted to take over the skies.

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Jack said yes, so off they went.

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Jack was scared and excited at the mission. They patrolled the skies in search of the great villain.

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Then finally, Captain Squid screeched, “Chaargggee!!!” 

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Sure enough, Spiderman was just around the corner.

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And the kite wars began.

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It raged for two hours, and finally it stopped. And they won.

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Hurray.

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Afterwards, Jack went off on his own.

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And met a girl.

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They dated and lived happily ever after.

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And made kite babies.

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The end.

This week, apart from getting over the bad case of the flu, I spent some time refining my residency project in Singapore. Climate change is a huge, huge, HUGE subject, and it’s easy to beyond the scope of what I came here to do. I sat down to be specific about whom I wanted to involve, what my intentions were, which specific questions I am to ask (especially with the workshops I’ll be doing next week), and potential formats my exhibit will have. Here is the wall of Post-Its:

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Below are details of it:

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Depending on how it goes, this could either be the most hopeful or the most depressing project I will have in my life.

Being in this project in Singapore for three weeks now, I’ve had a lot of flashbacks from my previous lives before this residency. It feels interesting to be in a lab and be officially an artist and not a scientist, to be around academics and understand their academia-speak as though it were a second language I’m hearing again, and to be designing workshops instead of looking for art materials in this initial phase.

Having had different roles and modes of training and experiences, I think I’m coming into my own model of what my three primary fields (art, science, and design) are about, which isn’t to say that these do not intersect in an individual’s practice.

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I’m doodling this as a note to myself, and wondering if I’ll be thinking the same in four months’ time. Hmm.