Seoul43 has given me a lot of moments to reflect on the impact of humanity on nature. This, of course, was not my initial intention. I wanted to climb all these mountains as a personal challenge. A city with mountains—how wonderful! I still believe it is one of the reasons that I found Seoul to be a clean city, compared to the other capitals I have been to. Before Korea, I had hiked only one mountain in the Philippines. It was a disastrous and traumatic experience—I nearly fell off of the peak, slipped many times on our descent, and slowed everyone down. I was, in chemistry terms, our group’s limiting reagent.

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My second intention was to get people to share my experience. This is why I brought the soil from these mountains so that people can plant with them and then bring them back. “Borrowing” instead of “taking” the soil was an important part. It has always been my view that no one is exempt from environmental responsibility, artists/scientists/explorers/designers included. The tasks I asked people to do were also deliberately chosen. I wanted to ensure that this project had some positive environmental and cultural impact.

What I didn’t expect, aside from the extreme fatigue, were my unique experiences for each mountain. Many pushed me to my limits, some nearly killed me, others were places I found so fascinating that I want to revisit them. A number disappointed me for their smallness (This is it? Really?) while others made me ask a lot of questions.

As these are mountains in a bustling capital, one thing I found consistent about them was human activity. If Seoul’s mountains were a system that ensured the coexistence of nature and humanity, then it was determined by these parts:

First, there were the modern city officials, or whoever governing bodies that mandated which trails should be open to the public and what was allowed to be done. They were the ones who permitted the landscaping and gardening of these mountains, who added trails, tennis courts, exercise machines, trail signs, and other things that make them “usable” to the public.

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Second, there were the citizens and tourists, both young and old, who use these mountains everyday. Hiking is an everyday activity for many Seoulites. Although I always hiked alone (which was a stupid idea, but I couldn’t find anyone who wanted to come with me), I was never really alone—there were always groups of ajusshi, ajumma, or young people who were also on the trails and giving me a hand. For the smaller mountains that served as neighborhood parks, it was the residents’ way of getting away from urban noise. Indeed, I could not help but think of these mountains as refuge in a city whose aging population is affected greatly by Korea’s rapid change.

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Finally, and no less importantly, are the people from Seoul’s past—the historical figures who added fortresses, cemeteries, and many a Buddhist temple to these mountains, turning them into rich canvasses that illustrate a city’s past and provide interesting questions as to how they fit into contemporary culture.

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The historical and cultural value that these manmade structures add undoubtedly “elevates” the status of a  mountain to something more than just a park. The exercise machines and other sports amenities added in recent years add utilitarian value for the citizens who make physical fitness a priority. These make me pause to think, because as a naturalist, one would balk at mankind altering nature, and yet, adding something of historical and utilitarian value perhaps encourages the city to preserve it better.

Because Korea is a very mountainous country and one that rapidly urbanized, I observed that: 1) Many mountains that used to be bigger have been “broken” into smaller ones because of apartment buildings, schools, etc. that found their homes in the lower areas, and 2) Some mountains seem to have all but disappeared because the buildings were right on top of them. Is it alright to do this to make room for city dwellers and businesses, as the country has so many? Indeed, as the official list I obtained from Korea’s Forest Service dates back to 2006-2007, I think that 43 will not be the number once they review the list once more. It will be interesting to see how the face of a city changes and how modernization affects these natural structures that are as old as time.

Originally posted on the Seoul43 site.

As I recover from the flu, allow me a bit of hallucinatory storytelling from the highly entertaining 2013 Singapore Kite Festival last week.

Once upon a time, there was a yellow smiley faced kite named Jack.
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He liked to fly.

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So off he went. Doot doot!

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He flew to the city, where there were very tall buildings. Woo!

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He met a lot of friends of different sizes…

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…shapes, and colors.

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One day, Jack was recruited by the Penguin…

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…who worked for Kung Fu Panda…

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They wanted him to join their kite army to go against a great villain, who wanted to take over the skies.

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Jack said yes, so off they went.

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Jack was scared and excited at the mission. They patrolled the skies in search of the great villain.

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Then finally, Captain Squid screeched, “Chaargggee!!!” 

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Sure enough, Spiderman was just around the corner.

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And the kite wars began.

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It raged for two hours, and finally it stopped. And they won.

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Hurray.

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Afterwards, Jack went off on his own.

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And met a girl.

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They dated and lived happily ever after.

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And made kite babies.

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The end.

This week, apart from getting over the bad case of the flu, I spent some time refining my residency project in Singapore. Climate change is a huge, huge, HUGE subject, and it’s easy to beyond the scope of what I came here to do. I sat down to be specific about whom I wanted to involve, what my intentions were, which specific questions I am to ask (especially with the workshops I’ll be doing next week), and potential formats my exhibit will have. Here is the wall of Post-Its:

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Below are details of it:

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Depending on how it goes, this could either be the most hopeful or the most depressing project I will have in my life.

Being in this project in Singapore for three weeks now, I’ve had a lot of flashbacks from my previous lives before this residency. It feels interesting to be in a lab and be officially an artist and not a scientist, to be around academics and understand their academia-speak as though it were a second language I’m hearing again, and to be designing workshops instead of looking for art materials in this initial phase.

Having had different roles and modes of training and experiences, I think I’m coming into my own model of what my three primary fields (art, science, and design) are about, which isn’t to say that these do not intersect in an individual’s practice.

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I’m doodling this as a note to myself, and wondering if I’ll be thinking the same in four months’ time. Hmm.

Now THIS. This scene pretty much captures the contrasts I consistently find in Singapore. In Korea, most contrasts I saw were those of time—a centuries-old fortress co-existing with modern facilities, for example. In Singapore, what I find are contrasts of culture, such as this one. A cosplayer is doing a photo shoot on the left, while there is what I presume to be a class happening on the right.

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I kept my distance and tried not to disturb them too much, but I was floored at what I was seeing.

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I love seeing these different modes of traditional dress, especially since I don’t recall seeing much of these particular ones in Seoul, Manila, and Barcelona. I’m sure I’ve seen these in New York, but not as much as Singapore.

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I had to go up to this guy and tell him how amazing I think he looked.

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Oh, I do hope each field trip is a feast for the eyes.

Nothing gives me more perspective into a city better than its people and what they do. Today, I visited Singapore’s Chinese and Japanese Gardens. After getting off the metro, this balloon of Nemo immediately attracted me, as did the cricket match happening several meters below it.

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I’m adoring the contrasts that Singapore seems to be about. I can already tell the next few months will be interesting.

Heejung sent me this photo of our friend Kaya jumping on my hopscotch board at the Asian Students and Young Artists Art Festival (ASYAAF 2013), which ended last week.

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I’m neck-deep in climate change articles and meetings with a lot of brilliant people, so this was such a nice email from the life I just left. I love that beam of light on the right. It looks as though Kaya was beamed there from space.

Thank you, ladies! And I miss you, Korea!

Walking around the Singapore Botanic Gardens, I come across the Evolution Garden, which simulates the evolutionary story of plants on earth before mankind ever came to be. It’s hard not to think of the apocalypse here. Half an hour before, I just squeezed through the MRT crowds. It feels odd to be suddenly alone. I was struck by how different it smells compared to the city and the rest of the gardens. It smells of rain and moss. There is a dampness in the air, but it does not feel heavy. It feels like an island washed after a heavy storm, like a tiny planet that went through a car wash.

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The Evolution Garden in the Singapore Botanic Gardens

I wonder about how the end of the world will smell like, once human activity has pushed it too much. Does it smell like something just washed, or something burning? Is it a “unpleasant” smell? Perhaps there is more than one smell—an olfactory palette that signifies a climate change apocalypse? Can a man with a cold smell it, or just the most sensitive of trained dogs? Will there be a range of scent—are we dead, or almost dead? Will we have an apocalyptic nose?

Strange questions, but among the many I’m asking here on this side of the world.

 

The Singapore-ETH Future Cities Laboratory, where I am currently part of their 2013 Art Science Residency Program, is housed in CREATE, or Campus for Research Excellence And Technological Enterprise. Coming back to the campus on night, I managed to take a photo of the building, which is more than 20 floors storeys high, under the moon. Quite an inspiring word to see every day!

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