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Archive

Exhibitions

June 26-29, 2017, Kampala, Uganda—We presented Child’s Play: Climate Change through the Eyes of Children, at the 11th Community-Based Adaptation Conference hosted by the International Institute for Environment and Development (IIED). It was fantastic to wrap up my art residency with Plan International. I’m really grateful to have presented the works by the children from all three of my workshops in Indonesia, Thailand, and the Philippines.

Some of the paper architecture made by children and youth from the Future Resilient Communities workshop

 

The Climatoscopes, Child’s Play edition

 

For this edition of The Climatoscope, I didn’t do the photos—the kids did! What are places in your communities that need to adapt to climate change?

 

The Ephemeral Marvels Perfume Store! This time, the kids made their own perfumes. I reproduced them from the recipes they gave me at the end of the workshops.

 

Storm Globes shows kids’ sculptures of things in their communities that are vulnerable to climate change.

 

Deepest thanks to Kimberly Junmookda, Plan International (especially the Indonesia, Thailand, and Philippines offices!), and the Federal Ministry for Nature Conservation, Building and Nuclear Safety Germany (BMUB).

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Barcelona, Spain—From June 20-22, I was in Barcelona, Spain (one of my second homes where I attended art school, hurray!) as The Apocalypse Project is a finalist for the Cultural Innovation International Prize in CCCB. The theme of this year’s biennial prize is climate change.

There were 10 finalists from all over the world, though strangely I was the only one from Asia and I think the one based outside of the EU. How curious. But in any case, I was really grateful to be a part of it; a lot of my best friends are in Barcelona and I haven’t seen them in 7 years. How fast time flies!

On June 20, we had a workshop to explain our proposals and then we had to give a public presentation.

CCCB Cultural Innovation International Prize

Metaphors and storytelling

We had a bilingual workshop, which was mainly for me and James, from the UK

The Apocalypse Project: It’s More Fun in the Anthropocene

With some of my best friends whom I haven’t seen!

When your friends are with you, this talk was a breeze

Taekwondo besties!

My proposal, “The Apocalypse Project: It’s More Fun in the Anthropocene,” was runner-up to the prize. I’m very happy to be a part of this, and to speak about four years of collaborations in Barcelona, one of my “home cities” where my views on interdisciplinary art and science first took root. I’m glad to have seen my friends again—I rarely travel for tourism because of the carbon—so this was a very meaningful trip! Onwards and upwards!

The Apocalypse Project: House of Futures has finally launched at the Future Gallery of IFTF. Free and open to the public, the 7-month exhibition features interactive works that explore climate change and our futures through the lens of high fashion. The exhibition welcomes audiences of all ages.

Manila to San Francisco to Palo Alto

September had a whirlwind of events. My flight from Manila was delayed for the next day, and I was awake for more than 24 hours and carrying very precious and dubious-looking cargo—Metal hats! Climate change perfumes! Apocalypse masks!—that fortunately went through customs without a hitch. Thankfully, things went smoothly and were not apocalyptic when I landed in San Francisco.

It was great to physically meet people I’ve been in touch with in the digital world for several months now. David Evan Harris and Bettina Warburg of IFTF, Sophie Lamparter of swissnex San Francisco, and Martin Schwartz of the Swiss consulate have been working on the administrative matters for the exhibition, while I worked on the projects in Manila while Skyping with ETH scientists all over the world.

Fashion Shows and Future Feasts

Time was not wasted the minute I landed. It was a Thursday, and David picked me up from the airport and we drove to IFTF where I met some of the staff and saw the Future Gallery for the first time. We went back to San Francisco to the swissnex office, where we did dress fittings for the models who will wear the Climate Change Couture garments.

The next day, Friday the 18th, we had a preview of the exhibition at swissnex San Francisco with some art and science talks as well as the first fashion show of Climate Change Couture. Music and science were provided by scientists-artists-DJs Stefan Müller Arisona and Simon Schubiger. It was great to see them again and work with them and jewelry designer Ika Arisona on The Wild Jewels project.

The Apocalypse Project at swissnex San Francisco

The Apocalypse Project at swissnex San Francisco. Photo by Myleen Hollero.

Two days of installation after and on September 21st, The Apocalypse Project: House of Futures finally had its grand opening. With opening remarks by Marina Gorbis, David Evan Harris, Consul General of Switzerland Hans-Ulrich Tanner, and swissnex San Francisco CEO Christian Simm.

A big part of the night was Future Feast, where chefs get to propose dishes of the future. In talk-show fashion, I introduced Vijitha Shyam of Spices and Aroma and Monica Martinez of Don Bugito. Vijitha prepared a delicious ayurvedic meal using vegetables that use less water and are therefore easier to grow in California’s drought, while Monica presented tasty insect dishes made of insects—a wonderful protein source that are easy to grow and has less impact on the planet.

Don Bugito by Monica Martinez at Future Feast at the Institute for the Future. Photo courtesy of IFTF.

Don Bugito by Monica Martinez at Future Feast at the Institute for the Future. Photo courtesy of IFTF.

The next day was IFTF’s inaugural Future Now, an all-day event with art and science talks, co-working, a fashion show on the streets of Palo Alto, more Future Feast food, and casual discussions about climate change and the future.

Futures, Community, Collaboration

Eating great food, seeing models strut their stuff, dancing the night away, and art you can touch and wear are not what you would normally associated with climate change, but these fun and inclusive activities are meant to get you to care about what is often a politicized issue. Climate change affects all of us, and I especially like to engage young people, such as the two little kids who looked at the exhibition on my last day of installation.

Jeremy Joe Kirschbaum of IFTF struts his stuff. Photo courtesy of IFTF.

Jeremy Joe Kirschbaum of IFTF struts his stuff. Photo courtesy of IFTF.

I think that the fashion shows were especially fun because of the life the models gave the clothes. Most of them came to me saying it was their first time walking a runway or putting on fancy makeup. There were models who got the call at the last minute, and I appreciated how some of them insisted on an explanation as to why they were wearing these strange clothes. It’s wonderful to work with people who have their own strong opinions and can bring their own personalities to the table., creating a different fashion show each time.

Zoe Bezpalko modeling Climate Change Couture at IFTF. Photo courtesy of IFTF.

Zoe Bezpalko modeling Climate Change Couture at IFTF. Photo courtesy of IFTF.

This has been such as positive collaborative experience—there are many people involved in these events whose names I’m still recalling because of the sheer number.

Old and New Friends

Simon Schubiger and Stefan Müller Arisona DJ the Climate Change Couture fashion show at swissnex San Francisco. Photo by Myleen Hollero.

Simon Schubiger and Stefan Müller Arisona DJ the Climate Change Couture fashion show at swissnex San Francisco. Photo by Myleen Hollero.

I’m especially excited for this exhibition because I got to work with some old friends who have supported The Apocalypse Project before it was even born. I started this project as an artist-in-residence at the Singapore-ETH Centre Future Cities Laboratory (FCL) in 2013. There, I produced the first collection of Climate Change Couture, designing clothes based on the research of some of the scientists and getting them to model the clothes. This time, for this Palo Alto show, it was a new experience to actively collaborate with them and co-design the garments. Moreover, as this exhibition is registered for ArtCOP21, I am happy for everyone’s efforts to be part of a global movement of cultural awareness on climate change.

And to think this is just the beginning! Stay tuned for more activities until we close this show in April of 2016.

This post first appeared on the website of the Institute for the Future here.

For the past few months, I have been involved with a project by The Mind Museum, called A Glass of the Sea (AGoS), an exhibition about the Coral Triangle. Scientists from the California Academy of Sciences have been exploring the Verde Island Passage of the CT and have been discovering an abundance of new species. The Verde Island Passage may well be the apex of marine biodiversity on the planet. How amazing!

The AGoS team was led by The Mind Museum curator Maribel Garcia, Bryant Cabantac, Cris Mora, Carlie Dario, Dem Bitantes, Awesome Lab, and myself. The exhibition is made possible by a grant from USAID.

I did the graphic design of the exhibition. I was inspired by kimono fabrics on my visit in Japan, especially their vibrant and classy colors. We applied this to priming tunnels that are shaped like Asian folding fans as well as English and Filipino signage throughout the exhibition.

Welcome to A Glass of the Sea!

Welcome to A Glass of the Sea!

Enter the waves...

Enter the waves…

You haven’t lived until you’ve done graphic designs of bilingual translations about science. For real. Here’s a fun shot of Darwin and I during installation, while we wrestled with industrial strength velcro.

I did the visual design and Darwin Cayetano did the Filipino translations.

I did the visual design and Darwin Cayetano did the Filipino translations.

In “A Story of the Science of the Sea”, visitors are invited to take a wooden sculpture etched with a sea creature on top, and place it on an NFC reader to watch it come to life on screen. Audio narration gives more information about the creature. This was designed by Cris Mora.

You can choose a  wooden sculpture and put them on an NFC reader to know more about the creature. Video footage provided by California Academy of Sciences.

You can choose a wooden sculpture and put them on an NFC reader to know more about the creature. Video footage provided by California Academy of Sciences.

We also made specially designed video games that each highlight one problem in our oceans. I designed the games while the awesome people at Awesome Labs programmed them.

One game is Garbage Catch, where the user has to prevent garbage from reaching the ocean floor.

You can catch garbage before they fall onto the ocean floor and hurt sea creatures!

You can catch garbage before they fall onto the ocean floor and hurt sea creatures!

A visitor plays Garbage Catch.

A visitor plays Garbage Catch.

Another game is Net Escape, where you prevent unsustainable seafood from swimming into a large net.

Net Escape is a game where you prevent unsustainable seafood from swimming into a large net.

Net Escape is a game where you prevent unsustainable seafood from swimming into a large net.

A visitor plays Net Escape

A visitor plays Net Escape

The last game is Sustainable Seafood Market, where users are given two seafood options at a time. They must pick the sustainable over the unsustainable seafood. This was the toughest game for me to design, but it’s my favorite among the three. We initially called this Sushi Tinder (which is way catchier). I dedicate this to the chick I met who said she eats shark’s fin soup in weddings because “it’s already there”. RAGE.

Sustainable Seafood Market is a game where visitors have to pick the sustainable over the unsustainable seafood.

Sustainable Seafood Market is a game where visitors have to pick the sustainable over the unsustainable seafood.

After each game, the user can make a pledge to take care of the ocean. The pledges are all different and specific, such as “I pledge not to eat or buy shark’s fin soup from restaurants.”

You can pledge to take care of the ocean and have your photo taken by raising your arms like a starfish.

You can pledge to take care of the ocean and have your photo taken by raising your arms like a starfish.

Your Role in Sea Life highlights your impact on the ocean. Cris Mora made these amazing shadow sculptures out of garbage, showing an impaled turtle (one of the many species that suffer because of what mankind is doing to the oceans), cities which contribute to ocean problems, and the earth in the palm of a hand.

Shadow sculptures made of garbage made by Cris Mora

Shadow sculptures made of garbage made by Cris Mora

AGoS is made of primarily sustainable materials, such as the bamboo framework that houses the exhibition.

A Glass of the Sea features a sustainable bamboo frame.

A Glass of the Sea features a sustainable bamboo frame.

It also features an education space entitled “Ocean in Motion” where visitors can make their own sea creatures, learn about marine protected areas, etc.

Here is our education space where visitors can make their own sea creatures, learn about marine protected areas, etc.

Here is our education space where visitors can make their own sea creatures, learn about marine protected areas, etc.

We launched this yesterday, July 16, at The Mind Museum. The exhibition will stay there until October and then will get to travel all over the Philippines. Hurray!

The core team of A Glass of the Sea: Bryant Cabantac, Cris Mora, Maribel Garcia, Carlie Dario, Catherine Young, Darwin Cayetano. Not in the photo: Dem Bitantes and Walter Wong.

The core team of A Glass of the Sea: Bryant Cabantac, Cris Mora, Maribel Garcia, Carlie Dario, Catherine Young, Darwin Cayetano. Not in the photo: Dem Bitantes and Walter Wong.

Thanks for coming, Mom!

Thanks for coming, Mom! <3

Thanks for coming, Mom! ❤

 

IMG_0017

 

Here are some photos from The Ephemeral Marvels Perfume Store’s exhibit at the Open City / Art City Festival last October 4, co-organized the Institute for the Future and Yerba Buena Center for the Arts. Many thanks and huge congratulations to my friend Zoe Bezpalko (who also modeled one of the Climate Change Couture garments last year and is shown in the above photo wearing an Apocalypse Suit), for handling this single-handedly.

I’m here in Seoul for the moment for some exhibitions and a panel, so I’m very grateful for my friends and collaborators from all over the world who can take over when I cannot physically be there.

Photos courtesy of Zoe Bezpalko

[Manila, Philippines]—Hey everyone! The third edition of The Hug Vest is now in The Mind Museum in Manila. This changes from black to seaglass green when touched. Check it out (in both adult and kid sizes) and give a willing volunteer a big hug!

The Hug Vest 3.0

The Hug Vest 3.0

The Hug Vest 3.0

The Hug Vest 3.0

Open City / Art City Festival. Image from the Institute for the Future

Open City / Art City Festival. Image from the Institute for the Future

I’m excited to be one of the featured artists for Open City / Art City Festival, a creative and generative event that looks at how we transform a city. The piece I’m featuring is The Ephemeral Marvels Perfume Store, a futuristic perfume line of things that could disappear from the natural world due to climate change. Come smell the perfumes and talk about your memories, and let’s raise climate change awareness!

The Ephemeral Marvels Perfume Store (2014, Manila) a collaboration between The Apocalypse Project and GIvaudan

The Ephemeral Marvels Perfume Store (2014, Manila) a collaboration between The Apocalypse Project and GIvaudan

Check out the other featured projects here, and the festival site here.