Post-Residency Reflections: Taipei
It’s that time of the year when I finish all residencies, fellowships, talks, and exhibitions, and reflect on the year that’s about to pass. It’s been a wonderful year of learning from different cultures and finding other ways of pursuing my practice. In 2018, I held residencies and fellowships in Vienna (KulturKontakt Austria and the Austrian Federal Chancellery), Beijing (China Residencies and Red Gate Gallery), and Taipei (Mekong Cultural Hub and the British Council). This post recalls some of my favorite memories during Part 1 as a SEAΔ fellow. Head to this post for thoughts about my Vienna residency, and this one for my Beijing residency.
Hot off the heels of my residency in China was my fellowship as part of the inaugural SEAΔ Program of the Mekong Cultural Hub and the British Council. I flew to Taipei from Beijing and got to work.
SEAΔ is a program co-created by Mekong Cultural Hub and British Council which creates space for cultural practitioners to reflect on how their work in arts and culture can contribute to sustainable development within South East Asia through their individual and collective leadership.
Each year 10 Fellows are selected from 10 countries: Cambodia, Laos, Myanmar, Thailand, Vietnam, Malaysia, Indonesia, Philippines, Taiwan and the United Kingdom. The program has 4 main gatherings spread over a one-year period where Fellows get together. Each gathering takes place in a different country and has a unique purpose: exchange, create, share then reflect.
The first gathering, SEAΔ Exchange, was held in Taipei, and after the week-long exchange, we were split into four groups based on our proposed projects, which we were going to iterate for the second part of the program, SEAΔ Create. I was with my co-fellows Sinath Sous (Cambodia), Zikri Rahman (Malaysia), and Thet Oo Maung (Myanmar)—a great fit since we were all working on sustainability in some way. For SEAΔ Create in May, our group will gather in Cambodia to execute the project.
Our project is in conjunction with Arts and Environment Festival 2019 in Kampong Thom, which SEAΔ fellow Sinath Sous is spearheading. The platform will be opened for artistic exchange to encourage experience sharing of arts and environment to better address climate challenges. The objectives are to focus on capacity-building workshops based events to support the team in climate action and to promote local knowledge among development experts and governments on this topic of sustainable development project in the future. My part here involves co-designing art workshops and scavenger hunts for the participants to reflect on climate change impacts in Cambodia.
During the exchange in Taipei, the fellows finally met each other and it was great to learn about their work. We engaged in design thinking workshops, met with the creative community of Taipei, and learned from stellar speakers who shared their work. We also had opportunities to go outside of the city, such as meeting the staff and artists of the Bamboo Curtain Studio. Taiwan is an island bustling with creativity and promise.
The SEAΔ program was the most unique in all of the fellowships I’ve had, and certainly stands out among all of the things I’ve done this year. Frankly, this is one of the few fellowships I’ve had in Southeast Asia—an involuntary choice, seeing that most opportunities available to me have been in the West and in East Asia where I felt more culturally adapted to as a Chinese-Filipino who grew up in a Chinese community, and in the Philippines where American culture is widely available. While I have tried to pursue projects in my home region, such as a research trip earlier this year to Cleopatra’s Needle Critical Habitat in Palawan, the Philippines with the Centre for Sustainability PH and Great Escapes Philippines, and the art residency I did with Plan International and the International Climate Initiative last year, finding funding for the projects I want to do will take time (and a bigger network and fairy dust), and it has been a lot easier and more logical to accept all these foreign opportunities while there were available and while I was within their age limits.
Applying to SEAΔ was my way of filling in the gaps in my world experience, and to be able to find something worthwhile to do considering that this region will bear the brunt of climate change impacts. I’m extremely grateful for this opportunity and am really excited for the rest of the fellowship. It was my first time in Taipei—a personal revelation according to my childhood friend Barbie whom I reconnected with in my Beijing residency was that the books we read in Chinese school were actually Taiwanese. This would give me a bigger identity crisis if my grasp of the Chinese language were any better. But the people were wonderful and the parks were free and the food was fantastic. Cambodia will also be a whole new world for me. I can’t wait for 2019!
SEAΔ Exchange, the first part of the SEAΔ program, happened from November 26-30, 2018 in Taipei, Taiwan. SEAΔ Create for my group will take place in Kampong Thom, Cambodia. Thank you to the wonderful staff of the Mekong Cultural Hub and the British Council!