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climate change

 

Eco Art Challenge by Global Shapers Beijing

 

(BEIJING, China) – On March 16th, I was invited to give a talk at Global Shapers Beijing (Hub 2) for their Eco Art Challenge. I spoke about my work and, more importantly, about what I learned, my triumphs and failures with my Year for the Planet personal challenge. Other speakers included Break Free from Plastic China and Eric Lau. Afterwards, the participants created a whale sculpture made of plastic trash and embarked on a 7-day plastic-free challenge—a very difficult thing in Beijing, where plastic seems to weed its way in places you did not think it would.

Year for the Planet
Why go plastic-free

You can download a pdf of my talk here:

Thanks to Yoka and Zishu of Global Shapers Beijjng for the kind invitation!

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It’s almost 2019, and what a year 2018 has been! Here’s a year in review:

Personal

I started the year decluttering my parents’ house, stopped needing a cane from a hip injury, went back to training in taekwondo again, made lots of new friends, and reconnected with old ones. My dad was diagnosed with a benign brain tumor and is back in Manila from treatment in New York. Apart from residency/fellowship travel (see below), I visited Lucerne (to see a friend), Bratislava, Berlin, Salzburg, and Bangkok (with extended family).

Research: Philippine jungles

I visited Cleopatra’s Needle Critical Habitat sponsored by Great Escapes Philippines and Centre for Sustainability PH.

Exhibitions: Manila, Germany, Dublin

The Sewer Soaperie and An Olfactory Portrait of the Amazon Rainforest were part of the Manila Biennale in February. The Ephemeral Marvels Perfume Store was part of “Victor Papanek: The Politics of Design” at the Vitra Design Museum in Germany in September, and was also part of Science Gallery Dublin’s In Case of Emergency exhibition which closed in February.

Projects, Residencies, Fellowships, Awards: Vienna, Beijing, Taipei

From April to June I did a visual arts residency with KulturKontakt Austria and the Austrian Federal Chancellery. I produced another body of work, Wild Science, which explores the role of science in society. There were fun collaborations, such as with Dr. Gerhard Heindl of the Schönbrunn Tiergarten for this piece, Der Tiergarten 1.0: Human Forces on the Animal Kingdom, and a photo shoot with some cool herpetologists and taxidermists at the Naturhistorisches Museum Wien (Natural History Museum, Vienna). I also produced Letters for Science and asked youth from Eferding, Austria to write letters to climate change deniers.

In Manila in September, we finished photo and video shoots of The Ephemeral Marvels Perfume Store and The Sewer Soaperie. I also started doing research for Wild Science on religion and beliefs in Quiapo, a part of Manila where Catholicism, Islam, and paganism intersect.

In Beijing in November for part 1 of the Crystal Ruth Bell Residency with China Residencies and Red Gate Gallery, I performed The Planetary Renewal Spa for the first time and did research for Future Feast. I’ll be back in March 2019 to finish the project.

I’m one of the ten inaugural SEAΔ fellows of the Mekong Cultural Hub and the British Council with part 1 held in Taipei in late November. We were divided into four groups, and mine will meet in Cambodia in May 2019 to execute our project. We will all be together to present the outcomes in Bangkok in June and reflect on the program in September.

I did the second Year for the Planet edition, focusing on my clothing choices.

The Apocalypse Project was shortlisted for Best Climate Solutions Award by Euro-Mediterranean Center on Climate Change (CMCC).

This year’s Ritual Card is a Sunset Wheel, based on the cyanometer used by Alexander von Humboldt.

Talks: From Mental Health to Art and Social Norms

I spoke about artists and mental health in Manila, and spoke about art, science and social norms at the Academy of Fine Arts in Vienna and in Crossboundaries Beijing.

Media

I’m one of ArtReview Asia’s Future Greats for their Summer issue and was featured in my alma mater, the SVA NYC’s Visual Arts Journal for the Fall issue. I wrote an article for Vienna-based contemporary art magazine Springerin, entitled “A Different Shape of Progress: Contemporary Art and Social Inclusion.” I was part of a podcast by America Adapts (Episode 78: Flooding, Climate Change, and Art).

If you have been part of my year at all, thank you very much for your support! Here’s to another productive year. May 2019 be full of new work, growth, relationships, and life!

—Catherine

YearinReview2018_B.jpg

 

 

 

I’m delighted to announce that The Apocalypse Project is in the running for the Best Climate Solutions 2018 Award for “Communicating Climate Change Threats and Opportunities”! I’m hoping to fund a future series of projects benefiting an indigenous rainforest community in the Philippines, and to create an arts-led curriculum that outlines the frameworks of the climate change adaptation projects and workshops I’ve been leading in all of these places in the world you’ve seen me in.

The online voting procedure will be open from September 24, 2018 until October 15, 2018 (5.00 pm CEST).

View the entry here.

[Manaus, Brazil] LABVERDE, with whom I did an artscience residency in the Amazon Rainforest last July 2017, has a catalog of all its resident artists for the year.

I’m on pages 128-131, featuring my works, An Olfactory Portrait of the Amazon Rainforest from The Apocalypse Project, and Experiments in Nature from Wild Science.

 

Thank you to the amazing LABVERDE team for all of it!

View the entire thing on LABVERDE’s website.

(Manaus, Brazil)—I’m back from one of the coolest residencies I’ve ever had. From July 20th to 29th, I was in the Amazon rainforest in Brazil together with 14 other international artists. I’m very grateful to have spent this time in nature.
I learned a lot of things and got to do research for An Olfactory Portrait of the Amazon Rainforest!

LabVerde July 2017 edition. Photo by Gui Gomes, courtesy of Lab Verde.

I really liked exploring concepts about science and policy and how science should be more accessible to the public. A new project and line of inquiry came up, yipee!

Experiments in Nature, Nature in Experiments. Photo by Gui Gomes courtesy of LabVerde.

We presented our projects on the last day at the Museu da Amazonia (MUSA).

LabVerde final seminar at MUSA. Image courtesy of LabVerde.

More posts soon, as I recover from jet lag! Thanks, LabVerde, my fellow residents, and everyone else who made this happen. It was an awesome experience!

June 26-29, 2017, Kampala, Uganda—We presented Child’s Play: Climate Change through the Eyes of Children, at the 11th Community-Based Adaptation Conference hosted by the International Institute for Environment and Development (IIED). It was fantastic to wrap up my art residency with Plan International. I’m really grateful to have presented the works by the children from all three of my workshops in Indonesia, Thailand, and the Philippines.

Some of the paper architecture made by children and youth from the Future Resilient Communities workshop

 

The Climatoscopes, Child’s Play edition

 

For this edition of The Climatoscope, I didn’t do the photos—the kids did! What are places in your communities that need to adapt to climate change?

 

The Ephemeral Marvels Perfume Store! This time, the kids made their own perfumes. I reproduced them from the recipes they gave me at the end of the workshops.

 

Storm Globes shows kids’ sculptures of things in their communities that are vulnerable to climate change.

 

Deepest thanks to Kimberly Junmookda, Plan International (especially the Indonesia, Thailand, and Philippines offices!), and the Federal Ministry for Nature Conservation, Building and Nuclear Safety Germany (BMUB).