Here are some photos from the opening of The Apocalypse Project: Urban Harvest exhibition at 1335Mabini, including the sciart conversations afterwards.
Man, I’m tired.
Saturday, September 17, 2016, 6 pm
September 17 to October 14, 2016
1335Mabini presents The Apocalypse Project: Urban Harvest, a solo exhibition by Catherine Sarah Young from 17 September to 14 October 2016.
The show explores potential futures under climate change through various forms including photographs, sculptures as well as soap and olfactory artworks crafted from unique saponification and distillation processes developed by the artist. The Apocalypse Project is an interdisciplinary platform that began in 2013 during Young’s art-science residency at the Singapore-ETH Zurich Future Cities Laboratory and has since then been showcased in several cities internationally. Featured in the upcoming exhibition are new pieces from some of Young’s ongoing projects (Climate Change Couture, The Ephemeral Marvels Perfume Store, and The Sewer Soaperie) and are a result of her month-long residency in Medellin, Colombia, held at arts organizations Casa Tres Patios and Platohedro, and supported by Arts Collaboratory and the Ministry of Culture of Colombia.
From the 1335Mabini website. Thanks guys!
(Medellin, Colombia)—On June 7th, my first Tuesday here in Medellin, the City of Eternal Spring, I gave an artist talk at Casa Tres Patios, one of my two hosting institutions for my residency here in Colombia.
I spoke about art and science, as well as how The Apocalypse Project came to be, as well as my residency project, The Apocalypse Project: Urban Harvest. Artist talks are always a walk of nostalgia, so kudos to all the previous residencies, grants, and collaborators whom I’ve met over the years!
Thanks to Estefania Piedharita and Tony Evanko of C3P for translating, and both C3P and Platohedro teams for organizing!
Human beings are steadily living longer. What could happen when we extend our lifespan? In this project, I design artifacts and tell the story of Emily, a fictional 148-year-old woman in a future.
If we can live to be 150 years old, I envision that we will have technologies that will allow people to achieve this maximum longevity. Perhaps we will have tattoos that can deliver hormones for telomere repair. Or wearables that can track the number of cell divisions. Maybe we will inject young blood into ourselves to extend our lives (and maybe this blood will come from younger family members)—a macabre possibility, for sure, but so are lots of what we do to ourselves now especially if our ancestors could see them!
I also think that living longer affords us time to pursue more interests. If we want to go back to school for the second or third time, then we can! We can learn more languages, change careers, perhaps have more lovers. If we have more time, I think most of us will devote this to developing ourselves and our relationships. There are pros and cons to this future.
Browse the gallery to view The Matriarch, a story of a 148-year-old woman and a day in her life.
Many thanks to Emily Abrera and her family, and Rjho De Guzman.