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I’ll be giving one of the Vox Pop Video addresses for Global Landscape Forum in Kyoto as are some pretty incredible people. I’ll be presenting my work on climate change, specifically The Apocalypse Project and Wild Science bodies of work. I created one video especially for Letters for Science, where I invite the public to write letters to science denialists. Thank you especially to China Residencies and KulturKontakt Austria whose residencies gave me time, space, and networks to reach out to people, as well as Mrs. Eva Heider-Stadler in Eferding and Ms. Allison Cusato in Beijing and their students who participated in the first workshops, and to all the other institutions and individuals who have supported these projects.

I dedicate these to the climate change deniers, anti-vaxxers, and moon landing truthers of my life. You guys inspire me so.

Sign up here: https://events.globallandscapesforum.org/kyoto-2019/

Update: Video is up! https://www.globallandscapesforum.org/video/catherine-sarah-young/

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(Beijing)—I’ve finished my stint with the 5th Crystal Ruth Bell Residency with China Residencies and Red Gate Gallery. Here are some highlights in the second half:

  1. “Maslow’s Dream,” a group exhibition at the Austrian Embassy

2. Open Studios at Red Gate Gallery

3. Going around the hutong in Crystal Ruth Bell’s sanlunche to ask people for their climate stories and opinions on the food I designed

4. Holding a Letters for Science Workshop

5. Interacting with the elderly in Beijing

6. Spending time with kindergarten and grad school friends

7. Thinking about food futures of China

8. Training! Hurray!

9. Working on a new piece for Science Gallery Detroit. More soon!

10. Being with nature and having time to think about very important big future steps.

It was a wonderful tranformative time. Stay tuned for outcomes! In the meantime, thank you China Residencies and dear friends I’ve met along the way!

The Apocalypse Project‘s Sewer Soaperie and An Olfactory Portrait of the Amazon Rainforest are exhibited in the first Manila Biennale in the walled city of Intramuros. The theme, “Open City,” refers to Intramuros as the origin of Manila’s culture. It is a tribute to the walled city’s beginnings as a port for the Galleon Trade, a time when Intramuros opened itself up to the world and welcomed new ideas, products and people.

Image credit: Manila Biennale

The Sewer Soaperie consists of soaps made from different points in the cycle of oil in human consumption, from palm oil to used oil to raw sewage and fatbergs, to highlight the effects of our impact on cities. Support for this project was given by Arts Collaboratory, Ministry of Culture of Colombia, and Medellín-based arts organizations Platohedro and Casa Tres Patios, where I did a residency in 2016.

This edition of An Olfactory Portrait of the Amazon Rainforest features scents based on the travel narratives of 19th century explorers of the Amazon, where naturalists such as Alfred Russell Wallace and Alexander von Humboldt encountered this ecosystem for the first time, which relates to the “openness” theme of the biennale. Visitors are allowed to smell these scents and inhale the stories of how these explorers encountered the Amazon. On the wall is text that features the passage of the books where I based these scents from. This project was inspired by my residency in the Amazon in 2017, with the support of LABVERDE and the INPA National Institute of Amazonian Research.

Manila, Medellín, and Manaus are cities that are similar in their colonial history, richness of culture and stories, and vulnerabilities to climate change, which the works highlight. It’s been great fun to bring these together for this historic biennale as well as be reminded of my enriching residency experiences in South America, of which the Philippines share very similar characteristics.

The Sewer Soaperie and An Olfactory Portrait of the Amazon Rainforest

This edition of An Olfactory Portrait of the Amazon Rainforest interprets the olfactory memories of 19th century explorers into scent, based on their travel narratives

The installation can be viewed at the biennale lounge. Image credit: Manila Biennale

Manila Biennale 2018 is led by Executive Director Carlos P. Celdran, and this installation is curated by Alice Sarmiento. Thank you!

Image credits: Photos 1-4 by Studio Catherine Sarah Young, 5-7 by Manila Biennale

Barcelona, Spain—From June 20-22, I was in Barcelona, Spain (one of my second homes where I attended art school, hurray!) as The Apocalypse Project is a finalist for the Cultural Innovation International Prize in CCCB. The theme of this year’s biennial prize is climate change.

There were 10 finalists from all over the world, though strangely I was the only one from Asia and I think the one based outside of the EU. How curious. But in any case, I was really grateful to be a part of it; a lot of my best friends are in Barcelona and I haven’t seen them in 7 years. How fast time flies!

On June 20, we had a workshop to explain our proposals and then we had to give a public presentation.

CCCB Cultural Innovation International Prize

Metaphors and storytelling

We had a bilingual workshop, which was mainly for me and James, from the UK

The Apocalypse Project: It’s More Fun in the Anthropocene

With some of my best friends whom I haven’t seen!

When your friends are with you, this talk was a breeze

Taekwondo besties!

My proposal, “The Apocalypse Project: It’s More Fun in the Anthropocene,” was runner-up to the prize. I’m very happy to be a part of this, and to speak about four years of collaborations in Barcelona, one of my “home cities” where my views on interdisciplinary art and science first took root. I’m glad to have seen my friends again—I rarely travel for tourism because of the carbon—so this was a very meaningful trip! Onwards and upwards!

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Installation view of The Apocalypse Project: Urban Harvest at 1335Mabini

 

Here are some photos from the opening of The Apocalypse Project: Urban Harvest exhibition at 1335Mabini, including the sciart conversations afterwards.

Man, I’m tired.

More soon!

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Climate Change Couture Kids
Shot on location at Buenos Aires, Medellin, Colombia

This shoot was made possible by Platohedro and Casa Tres Patios, where I did a residency supported by Arts Collaboratory and the Ministry of Culture of Colombia.