There is nothing like a heatwave that will make you wonder about things that are cold. Seriously, with some of the warmest temperatures hitting North America, it’s time to think about natural structures that will likely disappear in time. Here are two of my favorite artists and their pieces on ice:

1. Camille Seaman

In her project, “The Last Iceberg,” photographer Camille Seaman captures breathtaking portraits of these colossal structures. “They are like humans in that each one reacts to its environment and its circumstances in its own way,” says the 42-year-old artist in an interview with the New York Times. “There’s a sadness to them.”

I think they’re hauntingly beautiful; it feels like they’ve been around forever and have the history of the earth etched on their faces.

Svalbard, 2008. Image copyright by Camille Seaman via NYTimes

(via NYTimes)

2. Katie Paterson

One of my favorite artists, Katie Paterson, has a lovely piece called “Langjökull, Snæfellsjökull, Solheimajökull.” These are the names of three Icelandic glaciers from which she obtained sound recordings, pressed them into three records, cast, frozen with meltwater from each of the glaciers, and played until melted.

Langjökull, Snæfellsjökull, Solheimajökull. Image copyright by Katie Paterson via the artist’s website.

I’m so happy artists are able to create these beautiful pieces that sadly may outlast their subjects. While you’re at it, check out Project Pressure, an organization that aims to document the world’s changing glaciers.  (via The Guardian)

You know you’re home when old projects haunt you like spirits.

While my work is primarily about the “intersections of science and art,” I do, from time to time, do design work for things I care a lot about. Here are two of them that have appeared on my radar, physically and online, almost as if to say, “Hi! Remember me? Look at me now!”

It’s as though they were orphans I raised and gave to caring homes.

So, here are the children I gave away:

1. A logo for the Philippine Taekwondo Association 

As my friends and colleagues know, taekwondo is something that’s really important to me, but not in a competitive way. I think it has helped me a lot personally and professionally. I wanted to give back, not through competing (which I assure you, does not suit me) but through something else—design. Around 2008, I reached out to my old teacher, Coach Jobet Morales, a former medalist and currently the Philippines’ national coach, who said that coincidentally, they needed a new logo. I already had something in mind, but I also met with Coach Morales and Grandmaster Sun Chong Hong who discussed what they needed. (I remember that day! It was lunchtime and I thought that being with these two black belts was the safest place in the world. We had Korean bibimbap.)

The logo they approved has the association’s initials, rendered in the colors of the Philippine flag. The blue letter has the profile of a bird, symbolic of the Philippine eagle. The red letter is a roundhouse kick, which was a compromise because I initially suggested a side kick (better suited with the T shape), though was told that roundhouse kicks were more frequent in taekwondo (actually, true). The yellow letter has a sun from the Philippine flag.

Now it’s 2012 and, training at the central taekwondo headquarters in Manila, I keep seeing it all the time. On certificates, belts, chest guards, banners, etc. It’s quite an honor, and I’m thrilled they’re still using it.

2. A poster for Carlos Celdran’s Intramuros tour

My friend Carlos, who does these awesome tours in Manila, tagged me on this photo emailed to him by some European tourists and newlyweds. The poster on the right was my first graphic design poster, which Carlos gives away on his tours. I did this around the same time as the taekwondo project, and both remain among the graphic design projects closest to my heart. What he has done for the Philippines is fantastic, and while his tours are primarily performance art, it has contributed to the discourse of critical issues in the country.

(To the people in this photo, shoot me an email if you’d like to be identified. And thank you so much! You made my day. Oh, and congrats!)

A Disclaimer

I did these projects without any graphic design education at the time. The only things I had experience in were molecular biology and journalism. I was just a girl with a curiosity for Adobe Illustrator and a thing about “making the world a better place.” Years have passed and I’m done with an art residency and an MFA in Interaction Design, and looking at back at these projects made me both smile at the exuberance of youth and cringe at some tiny mistakes. (The kerning! Rats. I need to fix that.) But my friends / clients still seem happy about them, so I suppose that’s what counts. That brief time I was in Manila, I just loved their work and what they’ve done for me, and I thought that this was the best way to help them out. I may never be in the Olympics or Games of any sort, but at least my logo will! And helping cultural gems like Carlos’s work is something that’s always rewarding to do.

I have a cold. And this is probably why I’m sentimental.

Each time I open an email from The Listserve, I want to reply.

Oftentimes, I wonder what would happen if I did. Most of these people actually left a email address, as well as their location. I wonder if it would add any serendipity to their lives if someone sent a hello. I imagine many already have. In the emails I’ve received, few have chosen to remain anonymous.

I wonder what made them choose to write what they did. I think all human beings want to be heard at some point. To have such a large audience instantly available—what character will you inhabit? What intentions will you have?

It’s the digital version of sending a message in a bottle off to sea, only you’re guaranteed readers.

Some of them wrote short pieces of advice that would, in another context, sound like a daily horoscope, or from a very grandmotherly sounding inspirational app. “Do something fun.” “Forgive.” “Be generous.” “Don’t be afraid.”

Others had short anecdotes about their travels. A visit to Vietnam. India. Crete. Albania.

They send tales about people and things. I learned about Patrick of Ireland. The joy of beekeeping. It’s like getting an email from Wikipedia.

There are interesting essays. An encounter with a one-armed frog. A parrot named Bagel. A recipe for a good Bloody Mary, or a love potion.

I love the miscellany. Book recommendations. International cooking projects. Lists. Words in other languages. The things they did that changed their lives.

It’s like someone’s library exploded and we were emailed fragments of it.

It’s also wonderfully free. Go sign up now.

Opening up your online DNA results is, ironically, almost like cracking open a fortune cookie.

Genetics is something I’ve lived with all my life. My mom was a genetics professor, and my undergraduate degree is in molecular biology. And so I knew that even though I was presented with the “science of myself,” I had to take it with a grain of salt. In addition to our genes, the environment plays a role, too. For example, not being at risk for heart disease is great, but eating foods chockful of saturated fat can kill you eventually.

So over a year ago, I had my DNA done. (You know, it’s like getting your nails done. Kidding.) I used two services, 23andMe and National Geographic’s Genographic Project. The former required you to spit in a tube, while the latter asked for a cheek swab. 23andMe yields a more personalized profile of health and ancestry, while the Genographic Project is a research project that aims to map the migratory history of the human race. Both are very affordable; I wouldn’t have done them if they cost several hundred dollars. I was able to get a 23andMe kit for $99 during a Black Friday sale, and a Genographic kit costs $99.95.

The results are fascinating and intriguing. Sometimes, I wasn’t sure what they could mean. Will I have a different (or perhaps deeper) sense of identity, now that I have a better idea of ancestry? Will I turn into a hypochondriac if I see that I’m at risk for certain diseases?

Some things about me that I already know: I was born and raised in Manila, the Philippines, to a Filipina mother and a Chinese father. I suppose both are mixed at some point, especially considering the Philippines’ long colonial history. I’m pescetarian, a non-smoker, and rarely drink. Because of all the years living in different countries, my immunization requirements (a must for getting your student or exchange visas) are complete. On average, I do 5 to 9 hours of taekwondo a week. (Yes, I realize this makes for a very boring dating profile.)

Here are some highlights of my results:

23andMe

The homepage of your 23andMe profile shows updates to research results. On the left is the menu where you can check out your health and ancestry profiles.

Health

1. I could die from a heart attack. Bummer. Of all the increased disease risks, “atrial fibrillation” topped the chart. This wasn’t much of a surprise. Once or twice a year I end up with an irregular heartbeat; my heart beats harder than normal for several minutes. I would stop and breathe slowly, and my heart beat would eventually normalize. My ECG has always been ok.

2. I have decreased risks of Type 2 diabetes, breast cancer and Parkinson’s disease. Oh happy day.

3. I am lactose intolerant. At this point I started to doubt whether they processed the right sample, because I’ve been drinking milk all my life and I love it. The fine print did say that I “may still be lactose tolerant for environmental reasons.”

Ancestry

1. Based on my maternal haplogroup, I am closely related to East Asians, particularly Japanese, followed by Siberians and South Americans. It wasn’t particularly revelatory; I’ve always had very pale skin. It used to be a joke that I was “whiter than white people.”

2. I am labeled Eurasian, though the Asian-ness greatly surpasses the Euro-ness. My friends surmise the latter is responsible for my height. I’m 5’9″, which is quite gigantic by Asian women’s standards. I do think that I’ve met so many Asian women just as tall, if not taller, so perhaps it’s due to a shift in nutrition as well. (All that milk, I suppose.)

3. Clicking on “Relative Finder,” I see that I have potential distant cousins who also used the service and whom I can contact. The likelihood of me sending them a message is close to null. I think I would rather reach out to another human being because of similar interests instead of genes. It’s fun to know that I have distant relatives from all over the world, though.

The Genographic Project

Among the results you get from The Genographic Project is a map showing the migratory pattern of your ancestors’ DNA.

There are similarities between my results from The Genographic Project and my ancestry results for 23andMe, which made me more confident in their results. Highlights of my ancestral journey include (starting from Africa, where we all came from) countries in the Middle East, and then Asia. I would love to do a project where I can travel through all these countries with this in mind. Note that for both services, I would get more information if I compared my results with those of a male relative, as I, being female, do not have a Y chromosome.

Now What?

Do I recommend getting your DNA tested? Of course! I think human beings will always be interested in different facets of their identities. Unlike other, dubious diagnostics such as personality tests, horoscopes, etc., this gives you insight into your actual biological past (and present) and can allow you to make important decisions, especially health-wise, about your future.

Will it affect me significantly? Not really. It was interesting to see where my ancestors came from, but in the end, I’m more interested in where I have been myself. My “cultural DNA”—the languages I speak, the places I live in, the habits I acquire, the people I call my friends—will likely make more of an impact on me. As for health, I think I already lead a pretty healthy lifestyle, but it’s good to know what I’m at risk for and what I’m not. At the end of the day, everyone dies.

If we are curious,

We can enrich our lives because we can purposefully seek meaning, instead of finding solace in empty superficiality.

Relationships can be stronger because each uplifts the other through their passions.

Organizations can work with more intention, go deeper, and become more innovative and impactful.

Cities can have more engaged and concerned citizens who can make things happen with creative solutions.

Countries can have leaders that are more informed and make better decisions for those they are serving.

The world can sustain itself for future generations.


In a conversation with Gretchen Rubin, author of The Happiness Project, we exchanged ideas about the senses, particularly about smell. She mentioned a book she was reading called The Scent of Desire by Rachel Herz. A part of it discussed olfaction as a way for human beings to choose mates and how the birth control pill may be a culprit for divorce.

The Scent of Desire by Rachel Herz

Research suggests that birth control affects women’s taste in men. It’s all in the MHCs, or major histocompatibility complexes, hidden in the scent of men. Studies show that females prefer men whose MHCs differ from their own, perhaps to increase chances of  survival—the resulting offspring will then bear more diverse MHC profiles.

But being on the pill creates a preferential shift towards men with similar MHCs. Relationship troubles can then start when the woman gets off the pill; she begins to be attracted to MHC-dissimilar men and is less attracted to the MHC-similar guy she’s with.

In simpler terms, being on the pill can make you attracted to Mr. Wrong, and you realize it when you get off the pill.

(Read more at Psychogical Science.)

One of the best things I learned since moving back to Manila is The Mind Museum.

The Mind Museum at Taguig. Image via The Mind Museum’s Facebook page

It was a great day to reconnect with the city, and it was an even better surprise when I discover that one of my former capoeira classmates now works there as an exhibit manager.

The building itself is a gorgeous piece of architecture led by Ed Calma (featured in the December 2011 / January 2012 issue of Fast Company). It is a significant addition to the commercial, artistic, and residential landscape of Fort Bonifacio.

There are five galleries in two floors spread over 5,000 square-meters:

  1. The Story of the Universe: Its Beginning and Majesty
  2. The Story of the Earth: Its Story Across the Breadth of Time
  3. The Story of Life: The Exuberant Varieties of Life
  4. The Story of the Atom: The Strange World of the Very Small
  5. The Story of Technology: The Showcase of Human Ingenuity
It’s such a great example of interactivity in a science museum. The major theme is nature in scale. Visitors can go through a human brain, see a skeleton of a T-rex up close, and come across scientific concepts by experiencing them. It has been open since March, but already has gained visits from locals and tourists alike.
Maribel Garcia, curator, emphasized the importance of scientific correctness and emotionally grabbing the viewers—an opinion that   I share, and one that triggered this “science meets art” trajectory in my life.
Visit The Mind Museum site.

Image via Penning Perfumes

What happens when you mix olfaction and poetry? In this brilliant proejct, Penning Perfumes explores the intersection between these two seemingly unrelated worlds. It is the brainchild of “olfactress” (don’t you just love that word?) Odette Toilette and poet/editor Claire Trevien. Poets pen new pieces of work in response to mystery fragrances while perfumers create new fragrances based on poems.

(More via The Guardian. HT @brainpicker)

Returning to a city after many years is both pleasurable and vexing.

You are both resident and stranger. The shapes, sounds, and smells have both changed and remained the same.

My three major “homes” so far—Manila, New York, and Barcelona—are all port cities. In both historic and modern times, they have been the site of international trade, cultural intermixing, and political upheavals. Their faces dissolve and stabilize with the ebb and flow of both tide and time.

I am reminded of Cities of You, a beautiful project by Brian Foo, a web developer and “joy evangelist” whom I first encountered online when he submitted a sketch for DrawHappy.

Cities of You is a project that envisions people as imaginary places. It was inspired by Italo Calvino’s Invisible Cities. Each artwork represents a person and also a relationship. Brian writes:

“I travel through each city and describe their special properties—how the buildings are built, how the people live, its history, culture, and reputation. As the project progresses, I revisit some cities, describing how they evolve over time or enter unexplored parts of the cities. The intended result is to be able to imagine relationships as dynamic spaces in which one can visit, walk through, and explore.”

I enthusiastically backed his Kickstarter project, which surpassed his initial goal of $2,000 and raised $11,000. The project is the publication of the first 41 cities he designed. His book is a gorgeous labor of love, alive with drawings, paintings, and prose. An overwhelming response from his supporters also led him to upgrade all the rewards, including a lifetime of gifts. (Yes, you read that right. I and 140 other backers are looking forward to receiving annual presents for the rest of our lives.)

Cities of You, volume 1. Image by Brain Foo via his Kickstarter project page

A couple of weeks ago,  Brian drew me as a city, too. Voila, I’m City #44! It’s quite an honor. Even though we haven’t known each other for very long, I think he nailed it:

“If you walk through the city of Orynnaci, the buildings are tall, bare, and ordinary. However, if you stare at a building, look away, then look back again, the building may change. Or sometimes, a building can disappear, or merge with another one. As a tourist, you may begin to recognize past cities you have visited if you stare long enough. Some buildings lose their form entirely. Walk down Main Street and you will see most citizens standing still with their head tilted back, tracing shapes with an outstretched arm. On the face of city hall, three words are inscribed in Latin, loosely translating to ‘Imagination, Perception, Metaphor’.” —Brian Foo

City #44: Orynnaci
24 x 18″, Gouache and Colored Pencil on Paper
Image and Text copyright by Brian Foo

Visit the project’s site here.

A farewell illustration I made for my taekwondo school, because I’m a sentimental crybaby.

Three days away from New York. I need to kick something.

Rewind to last Friday. I always spend part of my last day in a country in my taekwondo school. Call me strange, but for me having the final words from my masters is almost like being blessed by Buddha.*

*Sort of. Give me a break; it’s hard to keep moving.

Taekwondo is the bedrock of all my beliefs, perhaps even beyond art, science, writing, and design. It is the one thing that has remained consistent in all the years of traveling and starting over, and as such, is the one thing that has never failed to give me a sense of stability and groundedness. It has been a way not to just let off steam and counter depression, but also to channel all my energy into something that is positive. It will always be my second home.

It is the closest thing I have to a religion. I could probably do without drawing, writing, or tinkering around for a few days, but I go stir-crazy if I can’t train. I’ve trained everywhere—old buildings, white sand beaches, the streets. Even in graduate school, I missed out on most of the design talks because I would always be in the dojang every night. (Was that a confession? Oops.)

It’s an addiction whose seed was planted early. I started doing this when I was thirteen, but I only took it really seriously in the past eight years when I started moving a lot. I got my black belt after fifteen years—quite a while, but starting anew is a side effect of a nomadic lifestyle. The fact that I do this has always surprised people; surely someone who hugs and squeals as much as I do couldn’t possibly be doing something so…tough. I suppose it’s what has given me the confidence to be as open and happy; it’s quite comforting to know that I can take care of myself in potentially dangerous situations. Or at the very least, I know I won’t die without putting up a fight.

Mirrors and masters

Martial arts has always mirrored my life, including all the professions I’ve ever touched. Consider design. Long before designers came up with things like “gamification” or ways of incentivizing and motivating people, martial arts have always used a belt system to “promote” you from one level to the next. Everything from the uniforms, to how the belt is tied, to structure and hierarchy, is designed, way before we ever earned badges or became mayor of something.

Training in Asia, Europe, and America has given me some insights on how differently people see martial arts, and by extension, their personal worldview. Students in Asia are always the youngest I encounter; it’s something ingrained in them (us) from very early on. In Barcelona, it was a mix of young athletes who are set on competing, as well as older ones who’ve done it for years but just want to keep training for the love of it. In New York, it’s always the most eclectic bunch, which is probably why I learn so much about life from watching students progress.

Escapism

For the most part, I find people who either want to try something new or do what I have come to define as “escapist training” – they want to transcend the usual daily grind. Occasionally, I encounter those who find their careers unsatisfactory, or have rocky relationships that they want to think about. They find the urge to kick the crap out of something to let out the frustrations of the day. I kind of like this application of martial arts; while we can’t actually go to war (unless you’re in the military or security or related professions), we can at least use it to fight our personal battles.

At its core, martial arts have little to do with the BS of the world. You either do the kick or you don’t. I see it as a method of reflection or problem solving— all the questions in your mind can be translated into movement, similar to how I’ve felt in dance. I’ve come to appreciate how it turns into a thermometer of a sort; how I feel during the day becomes so obvious and manifest by how well or poorly I train.

Bullies and therapists

It’s so incredibly beautiful the way I’ve seen people who are not competitive athletes apply this in their lives. I’ve observed kids who were bullied become more confident and sure of themselves, and adults who have made serious life decisions because of what they’ve realized through the sport.

Once, I encountered a pint-sized five-year-old who greeted me at the door after a belt test, jumping up and down and proudly holding the pieces of a board he just broke. And I wonder, what if all kids could do that and grow up believing they can do anything, that everything can be as simple as breaking a board with your foot?

Once, I helped teach a woman who sobbed every time I touched her wrist when teaching her self-defense. She told me that she once came from an abusive marriage, and all the grabbing reminded her of those awful times. Another woman came to me and said that because of training, she felt like wakes up with a lot more purpose. Always when I hear these stories, I’ve thought that some of the techniques should be a requirement for everyone, no matter what age you are.

Perhaps on a more sheepish note, most of my masters have been my therapists of a sort. I am almost embarrassed, but not quite, to say that I have cried on the shoulders of a lot of black belts over the years (because, you know, they have no choice but to listen), and now that I actually am one, it’s a testament to how titles really don’t matter. I suppose I have traumatized many a stoic traditional instructor (who I bet was laughing hysterically inside) who have had to put up with me over the years.

Some things I’ve learned so far

The belt doesn’t matter. Seriously. I see blue belts kicking the butts of black belts all the time. (From what I’ve observed, blue—the fifth color in most belt systems—is the time when I see people getting good. They’re now familiar with the foreign terms and have gotten used to testing and are committed to getting their black belts.) It’s kind of how it doesn’t matter what one’s degree is. The belt is just the thing that holds up your pants. And on that note…

Getting a black belt doesn’t mean much if you get lazy and stop. It’s like getting a degree and then not using it. Don’t get me wrong; It takes years of hard work to earn one, but I’ve always seen it as a lifelong commitment. When I finally “graduated,” I was relieved I didn’t have to start over again when I went to another school, but it wasn’t like the belt gave me superpowers. Training went on; the only difference was that I had to hold the kick pads sometimes. And it’s a lot more embarrassing if you forget things.

How you do taekwondo is how you do everything.

For BB