I wrote an article about four years of The Apocalypse Project for Imperica Magazine, an arts and tech publication based in Oxford, UK. Grab a copy online, or check out the full text of my piece, The Apocalypse Project: Investigating Cities and Climate Change through Art and Science, on the project website.
Tag Archives: The Apocalypse Project
The Sewer Soaperie featured in Conocimiento: Arte / Ciencia / Trascendencia
Thanks and abrazos to my Colombian family at Casa Tres Patios who featured The Sewer Soaperie in their publication, Conocimiento: Arte / Ciencia / Trascendencia — Funciones y Roles! The project is featured on pages 20-22. You can read the rest of the beautifully designed issue here.
“The Apocalypse Project: Urban Harvest” Exhibition Opening
- The Apocalypse Project: Urban Harvest, 1335 Mabini, Manila / 2016
- The Ephemeral Marvels Perfume Store: Colombia (vol. 3)
- Flower Masks (2016)
- Earth Day 1 (2016), c-print on paper
- Flower Masks
- The Sewer Soaperie
- The Ephemeral Marvels Perfume Store: Colombia (volume 3)
- The Sewer Soaperie / Medellin & Manila / 2016
Here are some photos from the opening of The Apocalypse Project: Urban Harvest exhibition at 1335Mabini, including the sciart conversations afterwards.
Man, I’m tired.
More soon!
The Apocalypse Project: Urban Harvest exhibition at 1335Mabini, Manila
OPENING:
Saturday, September 17, 2016, 6 pm
EXHIBITION DATA:
September 17 to October 14, 2016
1335Mabini presents The Apocalypse Project: Urban Harvest, a solo exhibition by Catherine Sarah Young from 17 September to 14 October 2016.
The show explores potential futures under climate change through various forms including photographs, sculptures as well as soap and olfactory artworks crafted from unique saponification and distillation processes developed by the artist. The Apocalypse Project is an interdisciplinary platform that began in 2013 during Young’s art-science residency at the Singapore-ETH Zurich Future Cities Laboratory and has since then been showcased in several cities internationally. Featured in the upcoming exhibition are new pieces from some of Young’s ongoing projects (Climate Change Couture, The Ephemeral Marvels Perfume Store, and The Sewer Soaperie) and are a result of her month-long residency in Medellin, Colombia, held at arts organizations Casa Tres Patios and Platohedro, and supported by Arts Collaboratory and the Ministry of Culture of Colombia.
From the 1335Mabini website. Thanks guys!
The Medellin Smell Lab at Laboratorio de Ideas
Artist Talk at Casa Tres Patios in Medellin
(Medellin, Colombia)—On June 7th, my first Tuesday here in Medellin, the City of Eternal Spring, I gave an artist talk at Casa Tres Patios, one of my two hosting institutions for my residency here in Colombia.
I spoke about art and science, as well as how The Apocalypse Project came to be, as well as my residency project, The Apocalypse Project: Urban Harvest. Artist talks are always a walk of nostalgia, so kudos to all the previous residencies, grants, and collaborators whom I’ve met over the years!
Thanks to Estefania Piedharita and Tony Evanko of C3P for translating, and both C3P and Platohedro teams for organizing!
Corn, Cobblestones and Coffee: First Impressions of Colombia
(Medellin, Colombia)—It’s my first time in Colombia (and actually, South America). For a week in Bogota, I sat terrified in the back seat of taxi drivers who went through the manic city as though they had a death wish. I stuffed myself with arepas, almojabanas, and pan de queso, without the usual reaction I get from wheat bread, because—whee!—these puppies are gluten-free. I walked through the cobblestoned streets of La Candelaria, full of history and stories and tourists and kitsch, feeling as though I were back in my birthplace of Manila.
Colombia and the Philippines share very similar stories. Both countries were Spanish colonies, are very diverse in terms of landscapes, flora, food, and people, and have had histories of unfortunate violence. Filipinos are often considered to be the Latinos of Asia, and in fact many Colombians and Filipinos look a bit similar. Heck, they definitely look more Filipino than I, the apparent ambassador of Chinese, Korean, and Japanese faces. Food is similarly rich in meats and rice, though these people use way more avocados than I ever have.
I stick out like a sore thumb with a neon Band Aid here. Perhaps I look Colombian from the back, since they mostly have black hair as well, but spin me around and wham, awkwardness ensues. The only Asians I have seen so far are the two Korean tourists I saw in a Juan Valdez Cafe across the street from the Museo de Botero in Bogota, their hiking clothes a dead giveaway; and the Taiwanese woman who works in the vegetarian restaurant across the street from Casa Tres Patios, one of my two hosting residencies, in Medellin. At least they only look and don’t touch, I tell myself silently, sending mental shade to other places where I experienced more harassment.
Colombia is gritty, its winding streets filled with stories of past violence, old but not forgotten, with its gnarled fingers clinging to the skirts of the new and young wave of modern and forward-thinking attitudes. It has surprised me so many times, from the first day in Bogota where I saw people betting on guinea pigs, to the free admission of its beautiful museums, the varying climate of Manila-esque heat in the city of Medellin to the stark cold of its surrounding mountain villages. It feels like Manila, if Manila had better urban planning and more condoms available. I am obsessed with their indigenous cultures—these ancient tribes have adapted for centuries and are still here!— and I even bought myself a pet ocarina (a type of flute) from their archeology museum. His name is Puck, and I can’t wait to do this residency with this little guy.
I am won over by the warmth of the people here. At Casa Tres Patios, I average seven morning hugs a day. There is almost always cafe tinto on the stove; I will never complain about the coffee here! There are more bridges that connect us than walls that separate us; Tony, the director of Casa Tres Patios, was also a Fulbright scholar and has a third degree black belt in taekwondo (I have to prevent myself from bowing—good God, my tic of bowing all the time!), and Sonia, their general coordinator, speaks better Mandarin than I do, owing to two years in China. People have been very kind, in spite of the language barrier I am determined to bridge. Both Platohedro and Casa Tres Patios have been incredibly supportive, and the vibe of both residencies have been very homey for me, a nomad with a broken suitcase. Speaking with my Spanish, rusty and with a Castillian accent, feels like riding a bike (if I rode bikes, ha). If you want to make a Latino giggle, just thank him with a Muchas grathias. And if I finally succeed in rolling my r’s instead of gargling them, I will get back to you.
I can’t not tell you why it was important for me to be here: because I’ve never been. It was a logical nightmare to get me all the way here from Asia, but so many people have helped bring me here, and I dare not waste a minute. Well-meaning friends have cautioned against my coming here, fearing for my safety or because of ignorance against Colombians and Latinos in general. In a world full of increasing hate and higher walls, which is even more terrifying in light of the borders we build around ourselves and the environment (hello, climate change), the only way to cure one’s anxiety against his unknown fellow human beings is to get to know them.
It’s my first time in Colombia, and man, I’m thrilled to be here. The Apocalypse Project will have an amazing time.
“The Apocalypse Project: Urban Harvest” Residency in Colombia
(Medellin, Colombia)—From June 5th, I will be on an interdisciplinary residency together with Casa Tres Patios and Platohedro to develop a new body of work about The Apocalypse Project, with support from the international network Art Collaboratory and the Ministry of Culture of Colombia.
From Platohedro’s press release (in Spanish only):
Catherine Sarah Young es una artista de Manila (Filipinas) con formación en biología molecular, arte contemporáneo y diseño interactivo, y utiliza su práctica interdisciplinaria para aumentar la conciencia sobre las problemáticas del medio ambiente. Fundó el Proyecto Apocalipsis, una plataforma creativa sobre el cambio climático y los futuros del medio ambiente durante la residencia de arte y ciencia en el Laboratorio-ETH Zurich Future Cities Laboratory de Singapur en 2009. Con este proyecto ha viajado por Singapur, Manila, Seúl, Palo Alto, y Nueva York.
Desde el 5 de junio realizará una residencia interdisciplinaria conjunta entre Casa Tres Patios y Platohedro para desarrollar la nueva versión del Proyecto Apocalipsis, con el apoyo de la red internacional Arts Collaboratory y el Ministerio de Cultura de Colombia.
Para conocer más del proyecto Apocalipsis http://apocalypse.cc/ y su obra https://theperceptionalist.com/
Catherine estará realizando una serie de actividades interdisciplinarias y abiertas al público. Les compartimos la programación:
Martes 7 de junio: Presentación de la residencia/socialización
6:30 p.m. en Casa Tres Patios
Martes 14 y miércoles 15 de junio: Lab de Aromas de Medellín
¿Cómo sería el aroma de un perfume de Medellín? En este taller, las/os participantes van a formar parte de una Caminata de Aromas, en la que nos conduciremos por puntos escogidos de la ciudad para recolectar objetos con fragancia. Luego destilaremos la esencia de estos objetos y los convertiremos en perfumes. También reflexionaremos sobre la importancia de los aromas, cómo el cambio climático está provocando la desaparición de estas esencias y qué papel juegan en nuestras vidas.
14:00 a 17:00 p.m. en Platohedro
inscripciones >> en este formulario
Viernes 1 de julio: Exhibición y Cierre de la residencia
Muestra de los procesos de investigación y producciones realizadas durante la residencia.
6:30 p.m. en Casa Tres Patios.
Sábado 2 de julio: Banquete Futurista: Arte y Ciencia
Banquete Futurista: Arte y Ciencia es un evento público que abre un diálogo con artistas y científicos en relación al cambio climático y el futuro de nuestras ciudades. Júntese a diferentes creadores en este encuentro para discutir, ilustrar, y manifestar cómo podemos adaptarnos al Antropoceno.
4:00 a 6:00 p.m. en Platohedro
—
I’ll be blogging about my progress as I go along, as usual! Deepest thanks for being part of this journey so far!
The Apocalypse Project featured on Fresh Perspectives 4: Art for the Planet’s Sake
Belgium-based IETM, International Network for Contemporary Performing Arts, featured The Apocalypse Project in their publication, Fresh Perspectives 4: Art for the Planet’s Sake! Thanks, guys!
Download the issue for free here.
SciArt and Seoul: Olfactory Adventures in South Korea
This November I find myself in Seoul for the Bio-Art Seoul 2015 Conference. It’s great to be back here in Korea, which is turning into a yearly homecoming of a sort. Annyunghaseyo!
For my bit in the show, I presented the second volume of The Ephemeral Marvels Perfume Store. There were eight new scents I debuted here. The line was called “A Walk Home” and it was based on the scents of my childhood in the Philippines. These olfactory memories were especially potent when I moved to Manila last year after ten years of being away.
The Ephemeral Marvels Perfume Store: A Walk Home has these eight scents: Recess, A Chinese Apothecary, Time with My Mom, Swimming Lessons, Wild Grass, Manila Sunsets, Carnival, and Moments of Solitude.
During the exhibition, it was fun to see families smell the perfumes. My favorite part was when I saw the little kids trying them on, especially the really small ones who had to tiptoe to reach the bottles. It was so cute when one group of little boys gathered around, each taking a bottle, and sprayed it on himself. (I pity the ones who got the perfumes marked “Recess” and “A Chinese Apothecary”.)
And now, a cathartic release by writing about an embarrassing moment. It was the exhibition opening, and man, I was so excited to do my first Korean ribbon cutting—complete with the white gloves and golden scissors, yo! I was nervous to cut it in advance like I’ve seen people do when what I should have been worried about was not catching the darn things after you snip them.
I’m the sad chick second from left with the pile of ribbons on the floor. Sigh. No one ever tells me these things. Hmph.
For the record, I still think it’s a lot cooler to let everything dramatically fall to the floor. Hello. It’s a grand opening. Just kidding.
Artist Talk: Wet Media Conference
In Sogang University’s Department Art and Technology, artists (including yours truly) gave talks on their work. My talk, entitled “Living SciFi: Bio-Art and our Futures” drew on my journey through science, art, and design, ending with the show at the Institute for the Future and what I’ve learned here so far.
It was also great to meet some bio-artists. Personally, I identify more with the terms “conceptual artist” and “sci-art” since I currently work with so many different fields of sciences and haven’t stuck to just one, so it was great to learn from these guys, especially those whose work I’ve heard so much about. Mad props to Anna Dumitriu, Vicky Isley and Paul Smith of boredomresearch, Sonja Baeumel, Roberta Trentin, etc. It was cool to meet you guys!
Workshop: Making Smells of Perfumes
A week after the opening, I also did a perfumery workshop with some high school and university students in Korea. There was a group of biology students that were accompanied by their teacher. In the beginning, the students participated in my olfactory memory experiment where they were given mystery smells and then were asked to recall the memory that came to mind.

The students did my smell memory experiment where I gave them mystery smells to sniff and asked them to recall the memory that came to mind.
Later, I asked them to do a Smell Walk and gather objects from nature that they want to make a perfume of. We distilled essential oils and also used some from my own collection of essential oils. It was exciting as one distillation flask caught fire (the kids put it out in time and no one was hurt).
I loved that one of the museum staff participated and insisted on making a banana-flavored perfume. He was a fun student. For the record, I insisted that he tuck his tie so it wouldn’t catch fire.
After the distillation, I also got them to create perfumes using the commercial essential oils I have in my personal collection.
I gave them Apocalypse Project Commander badges as a reward for all their hard work. Thanks, guys!
Aaaannnd that’s officially it for me for 2015. No more exhibitions, talks, workshops, interviews, etc. for the rest of the year. I’ll be in Seoul until November 29th reflecting on the year that was and what to do next. You know I’m not a big fan of this part. A bit of Korean hiking should knock me to my senses. Are you in town? Come join me!
Many thanks to Bio-Art Seoul 2015, Biocon, Seoulin Bioscience Co., and Digital Art Weeks International. Thank you especially to Dr. Sunghoon Kim and Helen Kwak!








































































