Tag Archives: cybernetics

I was dressed for sailing. At least, that’s what I thought I was going to do when I jumped in the car with some friends early this Sunday morning on the way to the Manila Boat Club in Sta. Ana, Manila. “Boat” has a lot of variations, similar to “house” or “garden”. But it turns out we were going to be rowing. With oars. As a team. Oh dear.

It was a fascinating history lesson as I walked up to the second floor of the old building that served as the club’s headquarters. The organization started in 1895 and is the oldest club in Manila.


Manila Boat Club

Though I was not dressed for the occasion, we only live once and so I got in. With my feet strapped to the boat, I held oars for the first time. In front of me was the president of the club, James, who regularly came to row. I had to follow his rhythm, which was a challenge since I barely knew what I was doing. It was quite mortifying to be clumsy at my first strokes, and I kept bumping my oars with his and my friend’s behind me.

The dock

The dock

With the coxswain (This is the first time I’ve ever had to use this word!) expertly and patiently guiding us, we rowed along the newly rehabilitated Pasig River, which is now a far cry from the toxic dump it used to be. As I learned how to row, I couldn’t help but remember my cybernetics studies in grad school, whose root word means “to steer”. One wrong move from anyone and the boat changed its intended course or we slowed down. The coxswain gave us corrections to set us back on the path. This is such a great metaphor for every project and exhibition I have ever been on.


It was a beautiful Sunday morning.

The boat didn’t capsize. All in all, it was a win of a Sunday morning.

Thanks, Manila Boat Club! Check out their site here.

Here’s a question about vision you rarely think of: Can your eyes create art? From color to eye movement, here are three fascinating examples:

Color to Sound

In perhaps one of the most awesome TED talks ever, especially for synesthesia-philes like myself, artist, composer and cyborg-activist Neil Harbisson speaks about hearing colors. Catalan-raised and Northern Ireland-born Harbisson is color-blind. After listening to a lecture on cybernetics and sensory extensions by Adam Montandon, he approached him afterwards and together they worked on a prosthetic device they call the “eyeborg,” which converts colors into specific sounds. In 2010, he founded the Cyborg Foundation which helps people become cyborgs.

Neil Harbisson. Image via Wikipedia.

Watch Harbisson’s TED talk below. My favorite parts were when he said he is “dressed in C major” and that he can “eat is favorite song.”

Eye Movement to Music and Art

EyeMusic is a project at the University of Oregon’s Cognitive Modeling and Eye Tracking Lab in which an eye tracker is connected to a multimedia performance environment to create computer music and interactive art based on eye movements.

Anthony Hornof practicing EyeMusic. Image via University of Oregon Cognitive Modeling and Eye Tracking Lab webpage

From their website:

While the eye is, in ordinary human usage, an organ of perception, EyeMusic allows for it to be a manipulator as well. EyeMusic creates an unusual feedback loop. The performer may be motivated to look at a physical location either to process it visually (the usual motivation for an eye movement) or to create a sound (a new motivation). These two motivations can work together to achieve perceptual-motor harmony and also to create music along the way. The two motivations can also generate some conflict, though, as when the gaze must move close to an object without looking directly at it, to set up a specific sonic or visual effect. Through it all, EyeMusic explores how the eyes can be used to directly perform a musical composition.

Eye Movement to Graffiti

It’s hard to talk about eye movement without mentioning the EyeWriter. American graffiti artist TEMPT1 was diagnosed with amyotrophic lateral sclerosis (ALS), which left him paralyzed except for his eyes.  The EyeWriter research project was born as a collaboration among TEMPT1, the Free Art & Technology (FAT) lab, the openFrameworks community, and Graffiti Research Lab (GRL), with support from the Ebeling Group production company, the Not Impossible Foundation, and the MFA Design and Technology program at Parsons The New School for Design, New York.The system uses cameras and open source software that allows the user to draw with their eye movement.

openFrameworks co-founder Zach Lieberman (right), with graffiti writer Tony Quan (TEMPT1) (left). Image via SVA Interaction Design.