Reading Circle 4 by studio das weisse haus curated by Malou Solfjeld. Image by studio das weisse haus.
Our friends from studio das weisse haus have created a weekly reading circle curated by the wonderful Malou Solfjeld! I read an excerpt from my story, The Ephemeral Marvels Perfume Store from the anthology, Our Entangled Future. Thanks for having me! Listen to it here.
Readers this week (text by Malou Solfjeld)
Åse Versto Langesæter reads
“Der bor en ung pige i mig som ikke vil dø”, written by Tove Ditlevesen
“Ensomhedens have”, written by Inger Christensen
“Coming to Writing” and Other Essays, written by Hélèn Cixous
First we’re reading about the journey back in time to one’s younger self, learning how to use the poem as a mirror of self-reflection, expectations and realizations.
Mie Hybschmann reads “Momo and the time thieves”, written by Michael Ende
Secondly we travel along the journey of the moon as a magic mirror one can use in times where we’re really longing to see someone that we can’t be with.
Catherine Sarah Young reads “The Ephemeral Marvels Perfume Store”, written by Catherine Sarah Young
Jeremy John reads “Some Thoughts on the Common Toad”, written by George Orwell
Then we question the nature of memories through smells and sounds of the past or the future – with a particular focus on longing for spring to come after a winter that appears endless.
Florian Conrad Eybesfeld reads
“Anywhere out of this world”, written by Charles Baudelaire
Our fifth reading takes us into the deepest part of our soul, all the way to the place where it really hurts. And from here we learn how connecting with pain can be healing, through the power of poetry, imagination and in memory of loved and lost ones. .
Maxime Grausam and Philipp Krummel read
Pippi in the South Seas, written by Astrid Lindgren
Finally we travel to the south seas with the strongest girl in the world, who reminds us of homeschooling and the value of playing with our friends.
The story revolves around a female perfumer who lives in a future time when climate change has eradicated a lot of scents and she tries to preserve as many of these as possible. One day, she receives a knock on a door from a client who searches for her to create a perfume that has not been smelled in a very long time.
Ice Chess examines the Arctic crisis and inspires viewers and participants to reflect on the situation up north. A map of the Arctic with its indigenous peoples is printed on a chessboard with pieces cast out of ice. Inside the pieces are toy soldiers and that represent the players in the emerging “battle” of the Arctic—the political and industrial figures that have big stakes in oil and shipping that stand to gain from melting ice and the emerging maritime routes as a result, and the pawns that represent the countries that will be affected by sea level rise and that are sacrificed in order to achieve these goals.
In these urgent times, now is not the time to romanticize the Melt. In a game with high stakes, who is responsible? On the edges of the board are freestanding soldiers and figures that represent observer countries and other affected nations, and anonymous figures that represent globally concerned distributed people. The battle is on, and we are all watching with bated breath. Ice Chess uses art and science to interrogate, to speak truth to power, to point to the powerful entities who are primarily responsible for what is affecting the whole planet.
Chess is one of the oldest skill games in the world and has been
played for over 5000 years. Chess spread around the world through
colonization and trade. The objective of chess is to trap the king—to
checkmate him—and it wins the game. Chess is historically played
by the wealthy. In this project, it references wealth inequality, one of
the systemic causes of climate change.
Chess is metaphorical of how humanity has treated nature—as a
game of strategy where we seek to exploit it and each other. It takes
this further by actually melting the project with the aid of the
players—a reference to how we collectively have caused the Arctic
to melt and how we can also put a stop to it.
This game does not intend to pit one human being against the other (or one country against the other), which risks oversimplification. Rather, each player represents a set of alternative possibilities that, when the game is played, clash to produce permutations of consequences. In the game, players and the audience are allowed to view the many entanglements that a wicked problem such as the Arctic crisis can provide.
A primary reason for economic interest in the Arctic is the emerging
Northern Sea Route, which will connect Western Europe and Asia. This
could make shipping up to 14 days faster than the southern route via the
Suez Canal. In 2018, the Venta Maersk, owned by Maersk Line and
carrying 3,600 containers, successfully set sail from Vladivostok to St.
Petersburg—the first container ship to tackle the Arctic sea route north of
The Chessboard & The Pieces
The board is a map of the Arctic labeled with indigenous communities,
seas, emerging shipping routes—all of these will be names we would hear
more about in the coming decades. This map represents the battleground
where a literal and figurative cold war is already happening.
The powerful row of pieces—the king, queen, bishop, knight, and
rook—represent the Arctic Council nations: Russia, USA, Iceland, Finland,
Sweden, Norway, Canada, and Denmark. The row of pawns represent
countries around the world that are and will be most affected by sea level
rise. Surrounding the board are Arctic Council observer countries, other
nations affected by sea level rise, and anonymous figures that represent
globally distributed concerned people.
Climate Change & the Great Lakes
The Great Lakes contain 5,500 cubic miles of freshwater, one of the biggest freshwater resources of the world. It supports more than 34 million people who live within its Basin. These people rely on the lakes for drinking water, fisheries, recreation, and industry. Climate change is already affecting these ecosystems through extreme weather, decreased crop yields, heat waves and consequent poor air quality, stress on water quality and infrastructure, affected navigation and recreation, and impact on wildlife.
Thank you to curators Mark Valentine Sullivan and Antajuan Scott and the rest of the Science Gallery Detroit team!
I’m delighted to announce that The Apocalypse Projectis in the running for the Best Climate Solutions 2018 Award for “Communicating Climate Change Threats and Opportunities”! I’m hoping to fund a future series of projects benefiting an indigenous rainforest community in the Philippines, and to create an arts-led curriculum that outlines the frameworks of the climate change adaptation projects and workshops I’ve been leading in all of these places in the world you’ve seen me in.
The online voting procedure will be open from September 24, 2018 until October 15, 2018 (5.00 pm CEST).
Aidan Dunne of The Irish Times lists Science Gallery Dublin’s “In Case of Emergency” exhibition as one of the best art shows to see this week, and highlights An Olfactory Portrait of the Amazon Rainforest. Thanks so much!
In Case of Emergency The Science Gallery, Trinity College, Dublin Until February 11th, 2018 sciencegallery.com
From nuclear apocalypse to environmental disaster, there’s nothing funny about global threats. Yet dystopia and disaster are staples of the film industry and other forms of fictional entertainment. Zombies, robots, bombs and post-apocalyptic wastelands are par for the course in speculations on terrible tomorrows. In Case of Emergency lays out the top threats to our world, evaluates how likely they are to happen, and asks what we can do about them. Highlights include Catherine Sarah Young’s olfactory portrait of the rainforest, Anna Dumitriu’s antibiotic resistance quilt, Dirk Brockmann’s Epidemic Event Horizon and real-time crisis management in the Situation Room.
Fang, Chiang Mai—It was June 3rd, my birthday, and what better way to spend it than with children and youth for my final workshop as artist-in-residence of Plan International! We made perfumes, sculptures, theater, and paper architecture. Here are some photos, and thank you, Plan International Bangkok and Chiang Mai chapters, plus Kim Junmookda, my residency host!
September 17 to October 14, 2016
1335Mabini presents The Apocalypse Project: Urban Harvest, a solo exhibition by Catherine Sarah Young from 17 September to 14 October 2016.
The show explores potential futures under climate change through various forms including photographs, sculptures as well as soap and olfactory artworks crafted from unique saponification and distillation processes developed by the artist. The Apocalypse Project is an interdisciplinary platform that began in 2013 during Young’s art-science residency at the Singapore-ETH Zurich Future Cities Laboratory and has since then been showcased in several cities internationally. Featured in the upcoming exhibition are new pieces from some of Young’s ongoing projects (Climate Change Couture, The Ephemeral Marvels Perfume Store, and The Sewer Soaperie) and are a result of her month-long residency in Medellin, Colombia, held at arts organizations Casa Tres Patios and Platohedro, and supported by Arts Collaboratory and the Ministry of Culture of Colombia.