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Korea

In a new series, I create tape installations that allows the audience to create their own games.

Games have constraints, such as the boundaries created by tape. In this piece, The Grid I, I transformed an exhibition gallery using masking tape. One side has only parallel lines, while the other side has both parallel and vertical lines.

The Grid I (April 2013)

The Grid I (April 2013)

The Grid I
April 2013
installation
31 by 34 feet
masking tape, toys

The Grid I (detail)

The Grid I (detail)

Agents of play were also provided, such as a jump rope, game tokens (in this case, baduk, or the Korean version of Go), a stuffed die, and balloons.

agents of play

agents of play

In the past week, I invited two groups two play with this grid. They had to create their own game, with their own rules, and utilizing the agents of play if they wished. They had to answer questions such as, “How many people or groups can play?” “How can I score a point?” and “How can I win?” (if it was a game about winning).

The first was a group of teenaged boys (aged 17-18). Most wanted to be architect, while the others wanted to be painters. They divided themselves into two groups and created the following games:

1. No Bounds

Players stand in a circle, avoiding the tape, and kicking a balloon without letting it fall to the ground.

I - No Bounds (balloon)

I – No Bounds (balloon)

2. Avoid Baduk

A player rolls the die, and the number corresponds to the number of baduk tokens he takes. He throws the baduk pieces at the other players standing in a line opposite him, who try to avoid getting hit.

2 - Avoid Baduk (stuffed die, baduk tokens)

2 – Avoid Baduk (stuffed die, baduk tokens)

The second group I invited was a lovely group of 12-year-old children from a local elementary school. Here are the games they played:

3. Baduk Slide

Players slid the baduk pieces across the floor. The one who slides the baduk piece the farthest wins.

3 - Baduk Slide (baduk tokens)

3 – Baduk Slide (baduk tokens)

4. King

One player is the “king,” who is unknown to the others. They follow each other using the lines of the grid, whispering and finding out who is the king.

4 - King (just the grid)

4 – King (just the grid)

5. Tennis

Players used the plastic piggy banks as modified rackets and took turns hitting the balloon.

5 - Tennis (plastic piggy banks, balloon)

5 – Tennis (plastic piggy banks, balloon)

6. Volleyball

Players used the die as a ball, and the rope as a net.

6 - Volleyball (rope, stuffed die)

6 – Volleyball (rope, stuffed die)

I learned a lot about children’s creativity and ingenuity from this project, and I think the kids had fun. It was fascinating to see objects whose function was completely changed for the purposes of games they thought of. It was also interesting to see components of traditional games and sports (such as tennis and volleyball) be used.

I definitely liked creating a piece where the audience had to interact with it for the artist’s intentions to be fulfilled. I would love to keep turning galleries and exhibition halls into playgrounds. Critically, these are children who are overexposed to online games—I was happy to get them unplugged from their smartphones and computers and plugged into their imagination. I’m definitely looking forward to pushing this idea further.

Some behind-the-scenes images with the elementary school kids. (Photos by Kate Kirkpatrick)

Many thanks to Ms. Se-Hui Park of Shin-il High School and Ms. Ju-Eun Lee of Changdong Elementary School, their awesome students, and to the staff of The National Art Studio of Korea who assisted with organization and translation.

The best thing after a particularly grueling hike (hello, Inwangsan!) is a cute note from the elderly guy who runs a pizza place with his wife across my street. After learning I was Filipino-Chinese, here is what I opened the box to:

Philippine / China Korea <3

The initials stand for:

Philippines / China
Korea

In barbecue sauce.

Aww, shucks. I love you back, Korea.

At Seoul’s Leeum Samsung Museum of Art, I was struck by two things:

1. 89 Seconds at Alcazar by Eve Sussman / Rufus Corporation

One of my favorite paintings is Diego Velasquez’s Las Meninas. This film, shown in the excellent exhibition, Mise-en-Scène, imagines the events before and after the painting, depicting the actual moment as a fleeting one. And hey, GoT fans, Peter Dinklage is part of the cast!

via artpulsemagazine.com

via artpulsemagazine.com

 

2. Interaction Design and Korean Treasures

In the exhibition Opulence: Treasures of Korean Craft, I was impressed at how the audience can view the art. In addition to seeing the actual relic, it was possible to explore the piece through a high resolution photo of the work, and a touch screen that allows you to zoom into different details.

Like Google Art Project in an actual museum

Like Google Art Project in an actual museum

Flowers are starting to bloom in Korea. Hurray!

Color. Finally.

Color. Finally.

On the way to pick up my fourth passport from the embassy—Oh the luxury of smelling and touching a crisp new passport!—even this bear agreed:

Yes, little bear. Yes, it is.

Yes, little bear. Yes, it is.

Fare thee well, the winter of our discontent.

In Seoraksan, a mountain in the east of South Korea, it’s like a calligraphy painting that came to life. It was a grueling yet doable trek, with me giving high fives and fist bumps to the friendly elderly Korean people who regularly climb these mountains. It seemed as though they do it without breaking a sweat.

(I want to be an ajumma when I grow up. Such respect for these badass people who are so physically fit and look as though they just stepped out of a hiking catalog.)

It's like a calligraphy painting that came to life!

It’s like a calligraphy painting that came to life!

I bet it will look beautiful in the fall. I bet that’s enough reason for me to go back.

Gorgeous.

Gorgeous.

There is nothing like getting physically and mentally pushed to my limits to power me through the second half of this residency. Hwaiting!

I finally had some time to gather together the images from the workshop I did several weeks back. It’s nice to see them properly categorized and truly see the different perceptions of one cloud. Here is an example:

original cloud

original cloud

I saw a dragon!

I saw a dragon!

Here are the other things these art students saw in this cloud:
DSC02069 DSC02070 DSC02073 DSC02108 DSC02113 DSC02130

Head over to the Rorsketch website to see more of them, or follow the project’s Facebook and Twitter accounts. This project just won’t die. Woo!

On my street lies Choansan, a mountain that has thousands of tombs of aristocrats, eunuchs, and commoners from Korea’s Joseon era. After being sick for a few days and being stuck in a creative rut, I headed up there today to free my mind from the “stuckness,” as though being high up there can make me look down on my worries, as though physically meandering through the mountain can translate to mentally untangling my thoughts.

I can't believe this is on my street.

I can’t believe this is on my street.

No head! Uh oh.

No head! Uh oh.

The marker at the top told me a bit of the cemetery’s history, along with these odd words.

A Department of Eunuchs!

A Department of Eunuchs!

It is such a blessing to have so much nature in the middle of the cemented progressiveness of the city.

It feels like a scene from Bridge to Terabithia.

It feels like a scene from Bridge to Terabithia.

The romance and sadness of it was slightly marred by the mild absurdity (yet awesome practicality) of seeing exercise machines along the way.

Exercise machines amidst historical treasures. But of course in Korea.

Exercise machines amidst historical treasures. But of course in Korea.

It was a good afternoon.

Fly.

Fly.

While exploring Korea, which slowly becoming one of my favorite countries, I’m a bit fascinated at how it has little-known connections with The Discovery Channel’s Mythbusters, one of my favorite TV shows of all time. Here are two that have been stuck in my head for a while and required a blog post:

1. Hwacha

A hwacha is a weapon developed during the Joseon dynasty that can fire multiple rockets in one go. I found one on display at the King Sejong museum in Gwanhwamun station, though I’ve seen others in various places in Korea.

I hope it works.

I hope it works.

The Mythbusters confirmed the hwacha’s effectiveness in the episode, “Alcohol Myths.”

2. Yellow Scream

Kim Beom, a Korean conceptual artist, has a 31-minute video where he demonstrates how to embed screams into a painting in a manner that imitates Bob Ross. I saw this in the Nam June Paik Art Center in Gyeonggi-do.

In Yellow Scream (2012), Kim discusses his materials, than proceeds to scream, “Aaah!” near the brush while he is applying the paint to the canvas. He adds screams of terror, confusion, agony, and even high-pitched ones of happiness.

Still from Kim Beom's Yellow Scream (2012)

Still from Kim Beom’s Yellow Scream (2012)

Still from Kim Beom's Yellow Scream (2012)

Still from Kim Beom’s Yellow Scream (2012)

Still from Kim Beom's Yellow Scream (2012)

Still from Kim Beom’s Yellow Scream (2012)

I was laughing by myself in the projection room. This will be one of my favorite art pieces of all time. Looking up Kim Beom online, I was happy to see that he also did graduate school in SVA, and even happier to know that he has a thing for clouds, too.

This reminded me of the Mythbusters episode when they asked whether ancient sounds could have been embedded into pottery. Alas, I couldn’t find a video, but they definitely busted that myth.