(Kampong Thom, Cambodia)—From May 20-24, I was in Cambodia with my mates from the SEAΔ Fellowship, a leadership program for sustainability in the arts in Southeast Asia supported by the Mekong Cultural Hub and the British Council.
My team consists of Thet Oo Maung (filmmaker, Myanmar), Zikri Rahman (cultural researcher, Malaysia), Sinath Sous (independent curator, Cambodia), and myself, artist from the Philippines. Our project is to be part of co-fellow Sinath Sous’ Arts and Environment Festival by holding arts and culture workshops with the local community of Kampong Thom, a province in northern Cambodia.
On Day 1, we held an art workshop with local students at Kampong Chheuteal Institute of Technology with the aim of looking at their environment from the lens of the future. Students created visual icons of their province using local and recycled materials.
On Day 2, we ran a Future Resilient Communities workshop where participants made their own paper architecture that reflected their desired future community under climate impacts. We were very honored to have the elderly people of the Kampong Thom community participate, including a couple of village leaders. I love holding this workshop because it intersects strategic planning, art, adaptation, the climate crisis, and various sectors of society. It gets one to see, quite visually, how human beings actually want their futures to be as well as to consider (and later, to correct), the common misconceptions of what a benefit is. (In the Philippines, it was a sea wall and here, it was a plastic incinerator.) Most of them have never done art classes before so their outcomes were even more wonderful.
On Day 3, we ran another Future Resilient Communities workshop and a Letters for Science session with some local governmnet officials and community members. In Kampong Thom, increasing heat decreases crop yields in an agricultural society and delays work as some have to stop working at high noon. The more intense storms also threaten public safety as most houses are built on stilts that sway when the wind is too strong.
On Day 4, the final day, we had a photography, soap-making, basket weaving, and flower workshops. I did a Planetary Renewal Spa and gave me honey facials to Cambodian teens. Afterwards we offered food to the monks.
SEAD Create ended in the evening with a public exhibition and various performances with other participants that engaged the community of Kampong Thom such as collaborative musical performance from Cambodian artists of various styles, a beauty pageant that included Ms. Universe Cambodia and runner-up of Cambodia’s Next Top Model, a performance by circus artist Maya Ross who wore one of my Climate Change Couture masks, and others.
We will work on the outcomes from the Arts and Environment Festival and will present them for part 3, SEAD Share, in Bangkok in July. We hope to see you there!