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This week, I got my holiday presents done. Since most of my friends are scattered worldwide, I decided that origami was the way to go—I can ship them flat. This year’s creation: Santa on a Velociraptor:

My fleet of Santas and velociraptors is complete.

My fleet of Santas and velociraptors is complete.

Ho, ho, ho…RAHR!

Ho, ho, ho... RAHR!

Ho, ho, ho… RAHR!

I also folded a lot of butterflies for those who might not get my sense of humor.

And more traditional butterflies for a safer choice.

And more traditional butterflies for a safer choice.

And finally, black belt Santas for my taekwondo brethren.

TAEKWONSANTAS. yeah!

TAEKWONSANTAS. yeah!

Happy holidays!

Hey everyone! I’m happy to announce my latest writing project, Field Notes from Planet Earth. It’s a site that collects my long form essays about the environment and its intersections with science and culture. You might see some topics similar to what I’ve blogged about here in The Perceptionalist, which has been my creative sketchbook of a kind since grad school. FNFPE will house longer essays with a more environmental theme, mostly collected from my travels. New essays published every Monday.

Why another blog? As a creative person, I feel like I need multiple channels to express my ideas. Also, this blog has been a hodgepodge of exhibition announcements, notes from my talks, and random taekwondo photos that I feel like I need one more focused outlet for my longer thoughts. Plus I’ve always wanted an excuse to use the name and the sexy Intergalactic theme from WordPress. I’ll still be keeping this blog for everything else.

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You might remember the subject of the first post: the day I went to Jindo for the Miracle Sea Road Festival, which celebrates a legend that emerged due to tidal harmonics. I heart science, don’t you?

Follow the site here.

—Catherine

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October 2014, Seoul—The Apocalypse Project’s Climate Change Couture is now on view at Seoul National University Museum of Art. My piece is on the second floor and features six garments from Climate Change Couture’s Singapore, Manila, and Seoul collections, as well as six photos from the Singapore collection.

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Curated by Arthur Clay, founder and artistic director of Digital Art Weeks International, and Jeungmin Noe, senior curator at Seoul National University Museum of Art, the exhibition blurs the boundaries between art and science and enlarges the possibilities of interdisciplinary collaborations.

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The exhibition runs until December.

Many thanks to Digital Art Weeks and SNU MoA

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11 October 2014, Seoul—I was part of a panel on Science Day at the Innovation Forum of Digital Art Weeks held at Seoul National University Museum of Art. Dr. Denisa Kera of Swiss Hacketeria and National University of Singapore gave the keynote speech. My fellow panelists included Dr. Tae-Sub Chung of Yonsei Medical School, Dr. Min Suk Chung of Ajou University School of Medicine, and Dr. Tai Hyun Park of the Advanced Institute of Convergence Technology of Seoul National University. The panel was moderated by Dr. Sunghoon Kim, Director of the Integrated Bioscience and Biotechnology Institute at Seoul National University.

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The Innovation Forum is a three-day symposium spread out during Digital Art Weeks Seoul, which runs until December. Science Day explores common themes on the crossroads between Neuroscience and Aesthetics in the arts and Bioinformatics and Biohacking art movement, bringing in and raising questions about the creative process, scientific inquiry and realm of empirical aesthetics. The panel I was on, “Convergence in Arts and Sciences”, raised questions around convergence of science and art and how they have been inseparable.

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I gave a talk on “Art, Science, and Planetary Futures”, chronicling my experiences in science and art through the different residencies and fellowships I’ve had in the world. I spoke about how art and science converged to give people new experiences, to empower audiences, and to break traditional formats. It was great to see familiar faces in the audience—from fellow alumni of the School of Visual Arts, the staff at the National Art Studio of Korea (now known as the MMCA Residency Changdong), and the Future Cities Laboratory. Even Denisa is a familiar face—she moderated our panel at ArtScience Museum in Marina Bay Sands last year. It was like going to a big family reunion. Thanks, guys!

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Thanks to DAW International for the invitation, SNU MoA for the lovely venue and staff, and Kate Kirkpatrick for the photos.

 

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Here are some photos from The Ephemeral Marvels Perfume Store’s exhibit at the Open City / Art City Festival last October 4, co-organized the Institute for the Future and Yerba Buena Center for the Arts. Many thanks and huge congratulations to my friend Zoe Bezpalko (who also modeled one of the Climate Change Couture garments last year and is shown in the above photo wearing an Apocalypse Suit), for handling this single-handedly.

I’m here in Seoul for the moment for some exhibitions and a panel, so I’m very grateful for my friends and collaborators from all over the world who can take over when I cannot physically be there.

Photos courtesy of Zoe Bezpalko

[Seoul, South Korea] I’m happy to be back here in Seoul for a bit for some exhibitions and talks. One of those talks is in the interestingly named Emotion Engineering Department at Sangmyung University. Professor Jieun Kwon, my dear friend and fellow SVA graduate, warmly invited me to give a talk in her class and to observe the lab.

In the beginning of my afternoon in the program, I was impressed by a class assignment—the students had to draw diagrams about the definition of Service Design, and it was interesting to hear a design class in another language. Professor Kwon will be asking them to do another one at the end of the term so they can observe the difference and witness the breadth of what they have learned.

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They gave me a tour of the Emotion Engineering lab. We played with a Star Wars game that uses brain waves. Here we had to make the ball rise to the top.

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I took a few minutes to successfully do so—I thought my brain died—and Professor Kwon was a lot faster than me.

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Afterwards, I gave an artist talk about my background and how I came to do my projects on art and science.

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I’m really happy to be back in Korea; I have, as you know, a lot of great memories from this place and it’s great to be meeting new people. I think it’s fantastic how art, science, and technology are explored in different countries around the world, and how collaborations bring about the coolest projects.

Sangmyung University's Emotion Engineering program with Professor Jieun Kwon

Sangmyung University’s Emotion Engineering program with Professor Jieun Kwon

Warm thanks to Dr. Kwon and her class at the Sangmyung University’s Emotion Engineering program for hosting me!

 

[Manila, Philippines]—Hey everyone! The third edition of The Hug Vest is now in The Mind Museum in Manila. This changes from black to seaglass green when touched. Check it out (in both adult and kid sizes) and give a willing volunteer a big hug!

The Hug Vest 3.0

The Hug Vest 3.0

The Hug Vest 3.0

The Hug Vest 3.0

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